The Story
Why it exists.
The beginning
Bakir landed in 2008 from the Ava Luxe studio, a composition signed by perfumer Serena Ava Franco. The house treats every formula as a personal narrative rather than a shelf product, approaching each release with the patience of a portrait painter. Bakir sits within that catalogue as a richer, more layered oriental-leaning construction, pairing a dense floral heart with an earthy, resinous base. The jasmine and black rose at the center give it a slightly darkened bouquet quality, while the incense, oakmoss, patchouli, and sandalwood in the foundation pull the whole composition toward something grounded and contemplative.
What makes Bakir structurally interesting is the weight it puts on its heart. Seven materials hold the middle: Egyptian jasmine, neroli, black rose, nutmeg, heliotrope, bourbon geranium, and cedar. That's not a casual floral, it's a layered conversation between white florals, a deepened rose, a powdery heliotrope, and the aromatic snap of nutmeg and geranium. The neroli adds a bright, almost green lift that keeps the bouquet from collapsing into pure darkness, while the cedar contributes a dry, woody backbone that gives the florals something to lean against.
The evolution
The first spray reads cool and green, almost cautious, as the floral and green top notes set a hushed stage. Then the jasmine and black rose arrive together, richer than expected, backed by heliotrope's powdery sweetness and the spicy warmth of nutmeg. Bourbon geranium cuts through with an herbal edge that keeps the bouquet from going soft. Cedar in the middle adds a dry, almost pencil-shaving quality that grounds the florals before they can drift away. Within thirty to forty minutes the incense begins to surface, followed by oakmoss and patchouli, and the composition shifts from floral portrait to something earthier, more shadowed. The incense burns slow and smoky, curling around the oakmoss like smoke around old wood, while the patchouli adds a damp, loamy depth that feels rooted in soil rather than air.
Cultural impact
Bakir sits within Ava Luxe's catalogue of oriental-leaning compositions, a release that places dense, layered florals over mossy, resinous bases. Its character is heavier than typical commercial florals, carrying the kind of gravity that comes from a fully built pyramid rather than a streamlined top-note showcase. The incense, oakmoss, and patchouli in the foundation give it an earthy weight that anchors the jasmine and black rose above, while the sandalwood and amber provide a warm, slightly sweet undertone that keeps the whole composition from going austere.
The House
Ava LuxeAva Luxe is a niche fragrance house based in the United States that builds each scent by hand and ships it only after a customer places an order. The label offers a catalogue of more than 150 creations, ranging from the early Gardenia (2000) to recent incense‑rich extracts such as No. 33 (2024). Its founder, artist‑perfumer Serena Goode, treats perfume as a personal artwork, mixing ingredients in small batches to preserve nuance. The brand’s catalogue includes Oriental Musk, China Pearl, Rosa de la Luz (2008), Carnet de Bal, Ambre Fonce, Bohemian Rose (2000), Love’s True Bluish Light, Madonna Lily and No. 23 (2007). Ava Luxe positions itself as a laboratory for scent exploration, inviting collectors to discover a fragrance that feels like a private signature.
The Creator
Serena Ava FrancoSerena favors natural absolutes and carefully sourced synthetics, layering them to create depth without relying on heavy fixatives. She frequently begins with a bright top—citrus or green herb—then introduces a heart built around tuberose, jasmine, or absinthe leaf, honoring t…













































