The Story
Why it exists.
The beginning
LaAurora is named for a moment most people sleep through. The 'aurora,' the dawn, in Granada, Spain, when the air still holds what the night's religious processions left behind: trails of frankincense smoke curling through the streets, cooling against stone, thinning as the first light arrives. Ricardo Ramos Perfumes de Autor built this composition around that specific atmospheric residue. Jorge Lee, the house's collaborating perfumer, signed the formula in 2017, shaping an oriental built more on air than on weight. Bergamot and violet mark the breaking light. Cedar and Turkish rose fill the middle space where incense smoke still drifts. Frankincense anchors the base, because of course it does.
What makes LaAurora interesting is the restraint. Jorge Lee built around frankincense without letting it shout. The Turkish rose absolute isn't there to sweeten the composition into something romantic. It's there because real incense smoke always carries a faint floral sweetness, the kind of nuance you catch in passing rather than analyze. The carnation adds a clove-edged warmth that bridges the spicy cardamom opening and the balsamic base. Kashmiri musk and gurjun balsam deepen the drydown without smoothing it into something generic.
The evolution
The first minutes belong to violet and bergamot, a cool, almost mineral brightness that reads colder than you'd expect from an oriental. Cardamom adds a low hum underneath, like distant heat. Then the shift happens, gradually. The cedar arrives, the Turkish rose absolute opens up, and suddenly the composition feels warmer, denser, more enclosed. The carnation comes forward and the whole thing smells less like cold air and more like the interior warmth where the incense has settled. As the composition settles, frankincense takes over completely. It doesn't announce itself. It just becomes the dominant voice, smoky and slightly saline, with the rose still curling underneath. Gurjun balsam adds a woody, almost rubbery depth that keeps the frankincense from floating off. By the late hours, what's left on skin is a close, warm haze: musk, faint rose, the ghost of cedar.
Cultural impact
Wearers who find LaAurora tend to be the type who want their incense to be actual incense, not a suggestion of one. It's a fragrance for people who already know what real frankincense smells like, who don't need the note explained or sweetened for them. The composition appeals to those drawn to restraint and specificity over mass appeal. Turkish rose leads the heart, but it leads as spice and depth rather than as romance. The frankincense runs through every phase, which is unusual. Most compositions save it for the base, or bury it under heavier materials.
The House
Ricardo Ramos Perfumes de AutorRicardo Ramos Perfumes de Autor creates artistic fragrances from Granada, Spain. Each scent references Andalusian history, colonial trade routes, and the cultural mix of South American expatriates who live in Granada and Istanbul. The line balances vintage ingredients such as oud, ambergris, and citrus with modern laboratory techniques, offering collectors a narrative that feels both scholarly and sensual. Recent releases like HooDoo Blues (2023) and Manigua (2025) illustrate the brand’s ongoing dialogue between past and present, while older classics such as AGUA DE BARCELONA (2004) remain reference points for the house’s evolving language.
The Creator
Jorge LeeBased on Hacivat, Jorge Lee seems to favor a style that's both modern and grounded in classic perfumery techniques. He appears to appreciate the impact of well-blended accords and isn't afraid to use powerful ingredients to achieve his desired effect.
