The Story
Why it exists.
The beginning
Ricardo Ramos Perfumes de Autor spent years drawing inspiration from Andalusian history, Moorish trade routes, and colonial memory. Then 2020 arrived, and something shifted. Veneno pa' tu piel is dedicated to Cristina Ortiz, known as La Veneno, the Spanish television personality, singer, and sex worker who became one of Spain's most beloved LGBTQI icons. Rather than retreating to ancient archives, Ramos chose a figure from recent cultural memory: someone who was reviled, celebrated, and eventually mourned. The fragrance doesn't try to recreate her. It tries to be transgressive in her spirit. The unusual materials, vinyl, blood, saffron, Turkish rose, aren't decoration. They're a statement. This is what it means to stop being polite. The name itself is a provocation: Veneno pa' tu piel translates to "Poison for your skin." Ramos wasn't interested in making something that smelled pretty. He was interested in making something that meant something.
The vinyl accord is the telling choice. In perfumery, vinyl reads as industrial, slightly warm plastic, the smell of a car interior in summer, records pulled from their sleeves, something that exists between the organic and the synthetic. It's not a natural material in any traditional sense. It's a statement about what belongs in a fragrance. Here, vinyl anchors a composition that could have tipped into easy sweetness. The berries open sugared and bright. The gin tonic adds a medicinal effervescence. But beneath it all, vinyl keeps pulling the composition back toward something more confrontational.
The evolution
The opening hits fast. Gin tonic and berries arrive sugared and slightly medicinal, like a cocktail you weren't sure you wanted until it was already in your hand. The sweetness doesn't wait. Within minutes, something else begins to assert itself. The vinyl accord is not subtle. It arrives in the heart phase and announces itself unapologetically, warm plastic, mineral, faintly metallic. Blood and saffron don't soften it. They make it stranger. Turkish rose absolute tries to floral the situation and mostly succeeds, but there's a tension underneath that won't resolve. Sweet and animalic. Polished and raw. The drydown stretches 8-10 hours on most skin types. The vinyl never fully disappears, it settles, becomes quieter, something closer to skin than to air. Madagascar vanilla and musk warm the finish, but galbanum keeps it green. The sandalwood sits soft and woody beneath everything. What lingers is this: a fragrance that starts sweet and ends textured. Not clean. Not soft. Not easy.
Cultural impact
Veneno pa' tu piel marked a significant departure for Ricardo Ramos Perfumes de Autor. The house built its reputation on compositions drawn from Andalusian history and colonial memory. This 2020 release stepped into contemporary Spanish pop culture, dedicated to Cristina Ortiz "La Veneno," a figure of immense cultural significance in Spain's LGBTQI history. The launch also introduced the "Transsexualia" series, signaling a new creative direction for the house. The unusual material choices, vinyl, blood, saffron, Turkish rose, reflect a perfumer willing to challenge expectations rather than repeat them.
The House
Ricardo Ramos Perfumes de AutorRicardo Ramos Perfumes de Autor creates artistic fragrances from Granada, Spain. Each scent references Andalusian history, colonial trade routes, and the cultural mix of South American expatriates who live in Granada and Istanbul. The line balances vintage ingredients such as oud, ambergris, and citrus with modern laboratory techniques, offering collectors a narrative that feels both scholarly and sensual. Recent releases like HooDoo Blues (2023) and Manigua (2025) illustrate the brand’s ongoing dialogue between past and present, while older classics such as AGUA DE BARCELONA (2004) remain reference points for the house’s evolving language.
The Creator
Ricardo RamosRamos gravitates toward opulent, characterful compositions that refuse to disappear into the background. Oriental structures appear frequently in his work, as seen in Cristina la Veneno, an assertive unisex fragrance that takes its name from Spanish cultural iconography and wr…
