The Story
Why it exists.
The beginning
In The Mood For Love F arrived in 2020, carrying the emotional weight of Wong Kar-wai's 2000 film of the same name, a movie soaked in longing, restraint, and the ache of unspoken feeling. Y25 took that emotional territory and translated it into scent, framing fragrance itself as a nocturne of emotion, something that doesn't just recall desire but holds it close to the skin. The composition was crafted by perfumer Huỳnh Hải Yến, a nose working within a house that consistently maps its creations to specific places and feelings. The fragrance draws on a richly layered palette that bridges bright fruit with creamy florals, then grounds everything in resins, woods, and a close-hugging musk.
What makes this composition worth your attention is the friction between its floral heart and its tobacco-laced drydown. White florals this lush, paired with fruit so syrupy it borders on tropical, could easily slide into cloying sweetness. The elemi resin and neroli keep the opening sharp enough to breathe. Then the base pulls in a different direction entirely: cashmeran, sandalwood, and tobacco create a warmth that reads more like golden skin than like smoke. It's a deliberate duality, and it mirrors the film's central tension between surface composure and the feelings pressing underneath.
The evolution
The first thirty minutes belong to apricot and lychee, jammy and almost edible, sweetened further by a neroli that keeps things from going flat. The fruit notes do their brightest work here, catching light and giving the opening a luminous, almost confectionary sweetness that still feels weighty rather than thin. Then the florals take the wheel. Tuberose comes forward dense and creamy, with white lotus and lily of the valley adding a dewy coolness, elemi resin lending a peppery brightness that cuts through the cream. That elemi does important lifting, slicing through what could otherwise feel heavy and keeping the florals alive on skin. Rose de Mai threads through everything, but never announces itself, hiding in plain sight between the brighter notes.
Cultural impact
In The Mood For Love F takes Wong Kar-wai's 2000 film as its starting point, translating the movie's aching, restrained sensuality into wearable form. Wearers tend to describe it less as a 'floral' and more as a mood, a comment on how heavily the base notes weigh against the bright opening. The fruit-driven top notes draw you in with sweetness and light, while the base pulls everything toward tobacco, cashmeran, and a close musk that feels more like memory than perfume. That tension between brightness and gravity is exactly what makes it compelling, and why so many who encounter it return to it rather than moving on.
The House
Y25Y25 is a niche fragrance house that draws its creative identity from the landscapes, memories, and sensory landscapes of Vietnam. The brand's catalog reads like a geographic journey through the country, with fragrance names referencing cities such as Hanoi, Hue, Da Lat, and Hoi An, alongside oceanic locations like Nha Trang. This deliberate geographic framing suggests a house deeply invested in olfactory storytelling rooted in Vietnamese culture and terrain. Founded in 2015, Y25 has developed a body of work that spans coastal atmospheres, highland mornings, and urban nostalgia, with releases spanning from 2015 through 2020. The brand operates without publicly disclosed perfumer credits, which lends an air of anonymity to its creative process that distinguishes it from houses built around celebrity nose partnerships.
The Creator
Huỳnh Hải YếnYến gravitates toward materials with narrative weight. Her signature work combines the fresh, mineral quality of petrichor with the creamy, slightly green notes of magnolia, creating fragrances that feel both immediate and contemplative.




















