The Story
Why it exists.
The beginning
Olim takes its name from the Latin for "once", a direct reference to the Olim registers, the administrative records of the 13th-century Parliament of Paris. These were documents of law, decree, and royal ceremony: the sensory memory of governance long before the Revolution reshaped France. Trudon, a house built on centuries of ceremonial craft, candles for Louis XIV's court, rituals that shaped how space and time were marked, gave that historical weight to a fragrance. The name alone was the brief: not nostalgia, but continuation. Something from the archives, made wearable.
What makes Olim structurally unusual is how it handles the lavender-bergamot opening. Rather than the fresh, aromatic lavender of a fougère or the sharp citrus of a cologne, here the lavender leans powdery, almost violet-adjacent, while the bergamot reads more citrus-bitter than bright. The anise amplifies this duality: it's green, medicinal, slightly bitter. Together these three notes create something that smells like it predates modern perfumery. The heart is where it earns its spice classification: cloves do the heavy lifting, with pink pepper adding a delicate prickle and patchouli providing the earthy counterweight that keeps the spice from becoming harsh.
The evolution
The opening hits in under a minute. Bergamot and lavender arrive clean, then the anise emerges, a sharp, almost green note that some people mistake for tarragon or absinthe. It lasts fifteen minutes before the lavender reasserts itself, softening the edges. The heart phase begins around the thirty-minute mark: cloves take over, warm and slightly numbing on the skin. The pink pepper adds a whisper of heat without fire. This is the phase that lasts longest, three to four hours of warm spice on most skin types. The drydown is where Olim becomes something more personal. The benzoin kicks in, bringing a vanilla-adjacent sweetness that rounds out the myrrh's bitterness. Musk keeps everything close to the skin, intimate rather than announced. Moderate sillage means you're not filling the room, you're leaving a trace. On fabric, the benzoin-myrrh combination can linger into the next day, a faint warmth that rewards the wearer who waits.
Cultural impact
Olim arrived in 2017 as Trudon made its formal transition from centuries-old candle-maker to full fragrance house, and that context matters. The brand had spent generations crafting scented candles for French cathedrals and aristocratic clients, accumulating a wealth of aromatic knowledge. When they finally committed to wearable perfume, they chose a perfumer (Lyn Harris) known for pushing against commercial expectations. Olim itself references a longer perfume lineage: Guerlain Jicky (1889) established the bergamot-lavender-anise triad that Olim borrows, while Shalimar (1925) normalized heavy benzoin-myrrh bases in Western perfumery.
The House
TrudonTrudon opened its first shop on rue Saint‑Honoré in Paris in 1643. From a small grocer‑candle maker it grew into the world’s oldest continuously operating candlemaker, later adding a line of scented candles and niche perfumes. The house balances a centuries‑old wax tradition with contemporary scent composition, delivering products that echo its royal origins while fitting today’s homes and wardrobes.
The Creator
Lyn HarrisHarris favors a minimalist architecture, building around a dominant natural note and supporting it with subtle accents. She often begins with a single flower, resin or wood, then layers thin, measured traces of spice, citrus or green foliage.
