The Story
Why it exists.
The beginning
Six Scents Series Three arrived in 2010. The premise: pair rising fashion designers with Givaudan's perfumers, give each a creative brief rooted in the designer's world, and see what happens. Joseph Quartana's boutique connections brought Mary Katrantzou into the lab. Hers was a maximalist aesthetic, one rooted in precious childhood memories and botanical themes that pushed toward abundance rather than restraint. Perfumer Shyamala Maisondieu answered with something that opens like warm sunshine on bright citrus, then leans into a heart so full of yellow florals it nearly contradicts its own lightness. The neroli and peach over bitter orange and mandarin create that initial burst, but it's the mimosa, ylang-ylang, and rose absolute that take over within minutes.
The unusual move is what happens before the vanilla arrives. Most compositions that lean this heavily into sweetness front-load it, you smell the gourmand intent from the first spray and everything follows predictably. Trompe l'Oeuil buries the sweetness under a yellow floral heart that feels almost lush to the point of excess. Mimosa, ylang-ylang, rose absolute, and orris root don't just support the base, they compete with it.
The evolution
The opening lands fast. Neroli and peach over bitter orange and mandarin, a sunny, optimistic burst that could read as uncomplicated if you stopped there. You won't. Within minutes, the yellow florals begin their slow takeover. Mimosa first, then ylang-ylang, then the rose absolute arriving late and unexpectedly rich. The orris root sits underneath it all, giving the florals a powdery, slightly starchy depth that prevents them from reading as purely sweet. The drydown takes its time. Tonka bean and vanilla eventually surface, but the ambrette keeps them honest, warm, close to the skin, the kind of sweetness you have to lean in to find. On fabric, the florals linger longest. On skin, the warm, vanilla-inflected base becomes more apparent after several hours. It doesn't reinvent itself, but it doesn't need to. The arc is clean: bright, full, warm, intimate.
Cultural impact
Six Scents pioneered a fashion-collaboration model in the late 2000s and early 2010s that brought designer sensibilities into the fragrance lab. Trompe l'Oeuil, released in 2010, is a reference point for how yellow florals can be composed, full without being overwhelming, classical in structure but modern in the materials used. The collaboration between Mary Katrantzou and perfumer Shyamala Maisondieu produced a fragrance that balanced maximalist floral abundance with restraint in its base, offering a template for how designer aesthetics could translate into scent without becoming merely decorative.
The House
Six ScentsSix Scents occupies an unusual space in contemporary perfumery, building fragrances around the creative visions of fashion designers, architects, and artists rather than traditional fragrance briefs. Each release begins not with a nose or a marketing concept but with a collaborator whose aesthetic universe the final scent must translate into olfactory form. The brand operates as a creative laboratory where the language of fashion intersects with raw aromatic materials. This approach produces fragrances that function less like commercial products and more like wearable interpretations of specific creative voices. PARFUMS QUARTANA serves as the parent entity housing the Six Scents collection, and the brand maintains an official storefront presence at sixscentsparfums.com.
The Creator
Shyamala MaisondieuHer olfactive signature is dramatic and romantic, with a poetic inventiveness that sets her apart. She has a particular affinity for iris, a notoriously difficult and expensive material that appears frequently in her creations.
