The Story
Why it exists.
The beginning
The Type series maps cities into scent. Type B is Berlin, crisp winter air, match strikes. Type C remains unnamed territory. Type D is Damascus: where fragrance is commerce and ceremony. Henrik Vibskov, the Copenhagen fashion designer known for treating scent as wearable art rather than status symbol, wanted something specific from this city. The composition reflects the sensory landscape of a covered market at dusk, with floral and spice notes intertwined in unexpected ways. Launched in 2011 alongside its Type siblings, Type D is one of three origin stories told through a single brand's olfactory vocabulary.
Jasmine and styrax don't usually keep company. One is sweet and floral; the other is warm, almost tar-like resin from the storax tree. Bringing them together is the kind of compositional risk that either becomes the fragrance's defining tension or makes it collapse under its own contradictions. Type D leans into the discomfort. The jasmine doesn't go gentle into that good drydown, mixing instead with warm resinous undertones and the creamy presence of sandalwood. Tonka bean adds a soft powdery quality to the base.
The evolution
Pink pepper and bergamot open bright and citrus-sharp. Clean. Almost cold. As the fragrance develops, the jasmine announces itself fully, green and indolic, the real material rather than a polite interpretation. Cinnamon is already here, threading through the florals like warmth you didn't ask for but can't resist. The bergamot retreats but doesn't disappear. It keeps the jasmine honest. By the second hour, the composition shifts. Jasmine still leads, but sandalwood and vanilla are gaining ground. Styrax arrives quietly at first, then becomes more prominent as the fragrance evolves. This is where the Damascus character emerges, the sweetness of vanilla meeting the dark warmth of styrax smoke. The drydown holds. Vanilla, tonka, and styrax smoke remain. Powdery, sweet, warm. The jasmine fades last, still faintly green, still present, as if it refuses to fully leave the conversation.
Cultural impact
Type D occupies an unusual position: oriental vanilla structure without the expected oud or rose, white florals without the polite approach. The jasmine-smoke tension generates strong reactions in both directions. Wearers either find the combination unexpectedly compelling or prefer to return to the counter.
























