The Story
Why it exists.
The beginning
Usar was one of three founding fragrances from Euphorium Brooklyn, released in 2015 alongside Cilice and Wald. Performer Stephen Dirkes shaped the house's identity around compositions that feel pulled from somewhere older, something forgotten and then recovered, rather than freshly minted product. Usar carries that intent with confidence. Its materials anchor firmly in Indonesia: Java lime, Java vetiver, Sumatran benzoin, Indonesian oud, with palm sugar threaded through as a quiet binding agent between the sharper and softer elements.
What's unusual here is the structural tension. Most citrus-forward compositions lean clean and bright, then fade into something forgettable. Usar does the opposite. The Java lime opens with real bite, almost sharp enough to taste on the back of the tongue, but it's anchored immediately by vetiver, oud, and benzoin that give the whole composition gravitational pull. The palm sugar moves through this structure as a softening element rather than a sweetness statement, doing the work of rounding out the spice without dulling its character.
The evolution
The opening is the loudest moment, a burst of citrus and spice that announces itself without apology. Java lime and ginger hit fast, almost bracing, the clove underneath giving it friction and a dry, peppery edge. There's a wet, rooty quality from the start, like digging into soil with sun-warmed hands, a mineral earthiness that grounds the brightness before it can float away. As the top begins to soften, the spine of the composition holds firm. Vetiver and cypriol take over, smoky and earthy, with the oud sitting underneath like a low murmur that you feel more than hear. The palm sugar and benzoin emerge gradually, pulling the composition toward something warmer, almost resinous and ambered, though never sweet in the obvious sense. Later still, the fragrance draws close to the skin: warm wood, faint vanilla, that saline ambergris trace threading through like a quiet pulse.
Cultural impact
Usar sits in the company of fragrances like Serge Lutens' Fille en Aiguilles and Tauer Perfumes' L'Air du Désert Marocain, two reference points where spice and resin carry the weight of the composition and the citrus plays a supporting role. It's a scent that rewards attention and rewards wearing, the kind of thing that reveals more of itself the longer it sits on skin. The Indonesian-sourced materials give it a specific geographic character, with Java lime, Java vetiver, Sumatran benzoin, and Indonesian oud forming a backbone that feels rooted in place rather than assembled from generic aromatic parts.






















