The Story
Why it exists.
The beginning
Obsidian arrived in 2017, composed by Gérard Bertrand as part of La Bonté Paris's first collection. The fragrance draws its name from volcanic glass, a material that forms when molten lava cools so rapidly that mineral crystals never have time to develop. That geological shorthand runs through the whole composition. Bertrand opens with the brightness of bergamot and tangerine, two citrus notes that arrive sharp, almost effervescent, before settling into the resinous, weightier materials at the base. The citrus gives Obsidian its initial lift, a clean acidity that reads as light on the skin for the first few minutes before the denser accord takes hold.
What makes Obsidian structurally interesting is the collision between gourmand and oriental traditions. Cotton candy and caramel bring a confectionery familiarity, the kind of sweetness most people associate with lighter, more playful fragrances. Those candy notes land directly against labdanum, oud, and oakmoss, creating a tension that runs through every phase of the wear. The saffron and star anise in the opening add a savory-spicy register that the candy base has to absorb, which gives the early drydown a spiced, almost peppery sweetness rather than pure sugar.
The evolution
The first thirty minutes are all sparkle and spice. Bergamot, orange, grapefruit, and tangerine hit bright, almost sharp, while saffron and star anise weave through underneath, pulling the citrus into something warmer and slightly bitter. The fruit fades fast. What's left behind feels like a different decision, jasmine and narcissus lending a waxy, indolic sweetness that bridges into the base without a clean handoff. Then the caramel arrives, and it doesn't creep. It announces itself, sticky and almost burnt, sitting on top of labdanum's resinous warmth and oud's leathery shadow. Cotton candy adds a spun-sugar haze that softens the oud's edges without domesticating it. Oakmoss grounds everything in something green and earthy, like the floor of a forest after rain. The drydown, what remains after four to six hours, is where Obsidian becomes itself. The citrus is gone. The florals are a memory. What stays is a low, dense warmth, caramelized amber, faint smoke, oud that's been polished smooth by everything that came before it.
Cultural impact
Obsidian sits within La Bonté Paris's collection of gemstone-named fragrances, a range that draws on the visual and tactile language of minerals and stones rather than floral or abstract imagery. The pairing of gourmand sweetness with oud and oakmoss gives it a hybrid character that borrows from both confectionery perfumery and the heavier resinous traditions. Cotton candy and caramel provide a familiar sugary register, while labdanum, oud, and oakmoss anchor the composition in something darker, smokier, and more sustained.
The House
CaresoCareso is a young fragrance house built on a simple but compelling idea: every scent should carry a signature. Founded by Cindy and Joseph Sebastian, the brand launched with five extrait de parfum compositions designed to express distinct moods, from calm and refreshing to warm and boldly sensual. Each fragrance reads less like a product and more like a quiet reflection of the person wearing it.
The Creator
Gérard BertrandIncense is the thread that runs through much of his work, but calling him a one-note perfumer would be a serious mistake. Duchaufour commands the full spectrum from dusky, smoky resins to crisp, green aromatics.
