The Story
Why it exists.
Radio Bombay came from wanting to bottle a feeling, the texture of electronics left running in warm rooms. Bandra is a neighborhood in Mumbai where the sea meets the city, where transistor radios once crackled through the heat. David Seth Moltz built the fragrance around that image: sandalwood and cedar as the casing, warm copper tubes at the heart, everything humming. It's not a love letter to a specific place. It's the sensation of being inside sound and warmth and wood.
If this were a song
Community picks
Pellicity
Arooj Aftab
The Beginning
Radio Bombay came from wanting to bottle a feeling, the texture of electronics left running in warm rooms. Bandra is a neighborhood in Mumbai where the sea meets the city, where transistor radios once crackled through the heat. David Seth Moltz built the fragrance around that image: sandalwood and cedar as the casing, warm copper tubes at the heart, everything humming. It's not a love letter to a specific place. It's the sensation of being inside sound and warmth and wood.
The combination of sandalwood and coconut is what gives Radio Bombay its body heat, that close, skin-like quality that arrives once the top notes settle. Boronia adds unexpected complexity to the heart. Iris and peach keep things soft. And the copper, that metallic warmth that reads like old radio tubes warming up, is what makes this sandalwood composition unlike other woody fragrances. Balsam fir adds resin without heaviness, giving the base a quiet depth that lingers close to the skin. The overall effect is warm, intimate, and textured, a sandalwood that feels inhabited rather than pristine.
The Evolution
The opening announces cedar first, a sharp, woody presence that doesn't apologize for itself. Within minutes, sandalwood takes over, creamier and warmer, the copper warmth threading through it like current running through old wiring. The heart phase introduces the powder: iris and boronia together, a soft dust that settles over the coconut and musk. The transition isn't dramatic, it's like a room warming up. By hour three, the woody notes are still there but blurred at the edges, the powder has won, and the whole composition sits close to the skin like something already worn. On fabric, it can last into the next day.
Cultural Impact
DS&Durga, the Brooklyn house founded by David Seth Moltz and his wife Kavi Ahuja Moltz, brings a distinctive perspective to niche perfumery with Radio Bombay. The name evokes a certain audio nostalgia and references Indian incense traditions. The copper-warm sandalwood note anchors the composition in warmth and texture. The scent embraces powdery complexity and a slightly retro sensibility, offering an alternative to more minimalist woody fragrances. Radio Bombay represents a thoughtful approach to sandalwood, layering it with unexpected notes to create something both familiar and distinctly its own.
The House
United States · Est. 2007
D.S. & Durga is a Brooklyn-based fragrance house founded in 2007 by husband-and-wife team David Seth Moltz and Kavi Ahuja Moltz. David Seth Moltz, a self-taught perfumer and former indie musician, composes all the house scents while Kavi handles visual design. The brand creates immersive fragrances inspired by specific feelings, places, and cultural moments, ranging from the American West (J. Crew Homesteader's Cologne, 2013) to historical periods (Beverly Hills 1985, 2010) and abstract emotional states (You Kill Me With Silence, 2018). D.S. & Durga is notably a perfumer-owned house, giving the founder creative control across the entire brand. Their catalog spans chypres, colognes, and aromatic compositions, with later releases including Royal Purpure and King Majesty Bergamot Chypre (2024). The brand operates from Brooklyn, New York, and has developed a following among fragrance enthusiasts drawn to its narrative-driven approach.
If this were a song
Community picks
Radio Bombay sounds like a warm room with something running in it. Sandalwood humming with quiet electricity. The powder in the drydown is the fade-out, that moment when a broadcast signal goes soft and the room feels emptier without it. Close, intimate, slightly vintage, like remembering a frequency you can't quite tune back to.
Pellicity
Arooj Aftab


























