The Story
Why it exists.
Body arrived in September 2011 with an unusual amount of confidence behind it. Christopher Bailey, Burberry's creative director at the time, called it the most exciting launch the house had ever created. That's a significant claim for a brand with over a century of fragrance history. But Body was different, designed not as an accessory to the fashion but as a statement of what the brand could smell like when it stopped hedging. The campaign, shot by Mario Testino with Rosie Huntington-Whiteley, was deliberately provocative: a woman wrapped in nothing but a trench coat. The message was clear. This fragrance was about what lay beneath the brand, not beneath clothing, but beneath the surface of what Burberry had always been.
If this were a song
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Breath
Tess Marie Marie
The Beginning
Body arrived in September 2011 with an unusual amount of confidence behind it. Christopher Bailey, Burberry's creative director at the time, called it the most exciting launch the house had ever created. That's a significant claim for a brand with over a century of fragrance history. But Body was different, designed not as an accessory to the fashion but as a statement of what the brand could smell like when it stopped hedging. The campaign, shot by Mario Testino with Rosie Huntington-Whiteley, was deliberately provocative: a woman wrapped in nothing but a trench coat. The message was clear. This fragrance was about what lay beneath the brand, not beneath clothing, but beneath the surface of what Burberry had always been.
The structure is worth pausing on. Chypre and fruity is an unusual pairing, chypres are built for complexity and staying power, fruitals for immediate appeal. Most fragrances pick one lane. Body picked both and built a bridge. The absinthe in the opening is the first clue that this isn't a straightforward fruity floral. Artemisia brings something bitter, almost medicinal, that lifts the peach out of sweet territory and into something more interesting. By the time you reach the base, the cashmeran is doing the real work. It's a synthetic material, yes, but it captures something real, the exact sensation of cashmere against bare skin, soft and warm and slightly sweet.
The Evolution
The absinthe opens sharp, green, bitter, almost medicinal. It's the kind of top note that announces itself without apology. Twenty minutes in, the peach softens everything. Freesia adds a translucent floral layer that doesn't compete, just bridges. The transition to the heart is subtle. Rose arrives not as a solo star but as part of a trio with iris and sandalwood, which grounds the florality in something woody and slightly creamy. This is where Body reveals its chypre backbone, the structure that keeps everything connected even as individual notes shift. The drydown is where it earns the name. Cashmeran, musk, vanilla, amber. The cashmere warmth settles against skin and stays. Moderate sillage means it lives close to the body, intimate rather than announced. On most skin types, longevity varies considerably.
Cultural Impact
Body found its audience among those seeking something powdery and intimate without being sweet or obvious. The cashmere-vanilla drydown became its signature. It reads as expensive without projecting luxury. The fragrance breathes against skin like cashmere, warm and close, the kind of presence that doesn't need to shout. It's the tell of the scent, that soft, enveloping quality that distinguishes it from more assertively fruity or floral compositions.
The House
United Kingdom · Est. 1856
Burberry fragrances are the olfactory equivalent of their iconic trench coat: quintessentially British, effortlessly elegant, and unexpectedly rebellious. The house translates its rich fashion heritage into scents that feel both timeless and perfectly modern. It's the smell of London—a city of classic architecture and defiant street style.
If this were a song
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The scent unfolds like a quiet afternoon, absinthe sharpness giving way to warm peach, then settling into something close and powdery. The cashmere drydown has the same quality as a song that starts quiet and stays with you. It's intimate indie folk, melancholic without being heavy, present without demanding attention. The kind of music that works at any volume.
Breath
Tess Marie Marie




























