The Story
Why it exists.
Godard. French New Wave. The cinema as a place where everything burned bright and fast. David-Lev Jipa Slivinschi built Génération Godard around that energy, small pleasures that don't ask permission to exist. Sour candy in the pocket. A cola cup soaked through at the bottom. Popcorn kernels wedged between teeth. The brand calls these extraits de mémoire, fragrances born from personal recollection rather than perfumery convention. This one is the scent of going to the movies alone and leaving with someone else's story stuck to you.
If this were a song
Community picks
Ne Me Quitte Pas
Nina Simone
The Beginning
Godard. French New Wave. The cinema as a place where everything burned bright and fast. David-Lev Jipa Slivinschi built Génération Godard around that energy, small pleasures that don't ask permission to exist. Sour candy in the pocket. A cola cup soaked through at the bottom. Popcorn kernels wedged between teeth. The brand calls these extraits de mémoire, fragrances born from personal recollection rather than perfumery convention. This one is the scent of going to the movies alone and leaving with someone else's story stuck to you.
What makes this composition unusual isn't just the materials, it's how they refuse to resolve cleanly. The Coca-Cola note sits somewhere between synthetic and real, the way a memory does. Paper shows up twice: once in the heart, once in the base, as if the scent can't decide whether it's the thing itself or what was wrapped in it. Rose and tobacco usually pull in opposite directions. Here they hold hands in the drydown, the way smoke and flowers do in a room where someone has been both smoking and feeling something.
The Evolution
The opening hits fast and fizzy, sour candy sweetness that doesn't pretend to be anything natural. Within twenty minutes the Coca-Cola softens, becomes warmer, almost medicinal in the way old pharmacies smelled when you were small. The rose arrives quiet, not floral in the traditional sense but more like the ghost of a perfume someone left on a chair. Paper surfaces mid-drydown, that particular smell of ink settling into cardboard. Then the base does what the base does in this house: it lingers. Tobacco and labdanum hold the whole thing together past hour eight, and if you sleep in it, you'll still catch the ambrette seediness on your wrist in the morning.
Cultural Impact
Toskovat' arrived in 2022 as one of the more provocative new voices in niche perfumery, Romanian origin, confrontational naming conventions, compositions that dare to smell like memory rather than aspiration. Génération Godard sits comfortably within that ethos. The brand's aesthetic leans gothic and deliberate, refusing the polished aspirational imagery that dominates mainstream fragrance marketing.
The House
Romania · Est. 2022
Toskovat' is a Romanian niche fragrance house founded in 2022 by self-taught perfumer David-Lev Jipa-Slivinschi. The brand name derives from the Russian word toска (toska), approximating a feeling of longing without a clear object. Toskovat' creates what it calls extraits de mémoire, memory-driven fragrances built from personal recollection rather than perfumery convention. David-Lev works without classical training and embraces provocative combinations: bubblegum with gasoline, notes of blood and holy water, scents evoking childhood, desire, and transgression. The brand garnered international attention early, earning features in Vogue UK and The Wall Street Journal. Luca Turin, one of the field's most influential critics, sampled six Toskovat fragrances and described them as having "shocking top notes and gothic ingredient lists, followed by well-behaved heart and base notes." On fragrance communities like Fragrantica and Basenotes, each release sparks passionate debate. The house operates from Bucharest and has built a devoted following in remarkably little time.
If this were a song
Community picks
A film score that never existed. French New Wave ambition filtered through something more tactile, the sound of film grain, a cigarette burning down in an ashtray, a love scene that cuts to black. The mood playlist mirrors the fragrance's arc: bright and artificial at the opening, then something stranger and more personal underneath.
Ne Me Quitte Pas
Nina Simone






















