The Story
Why it exists.
The beginning
Some names carry entire continents. Click Song, Qonggothwane in Xhosa, was the signature sound of Miriam Makeba, the South African singer who became known as the mother of Africa. She made music with her tongue and teeth, a percussive technique rooted in her language that the world had never quite heard before. When apartheid forced her into exile, she carried that sound across oceans, making it the anthem of a fight that wouldn't be silenced. Serge de Oliveira built Click Song as a tribute to that voice, not a recreation, but an echo in another form. A fragrance that snaps with the tongue, bold enough to match the woman who first made the sound.
The structure here surprises. Patchouli typically anchors a drydown, but here it shares the heart with Turkish rose, two materials that usually take turns, suddenly working together. The rose doesn't soften the patchouli, and the patchouli doesn't weight down the rose. They hold their ground as equals, which is harder to achieve than it sounds. When the base arrives, amber, labdanum, benzoin, the resinous warmth arrives all at once, the kind of depth that doesn't fade after an hour. This is a fragrance that knows what it wants.
The evolution
The opening is expansive. Geranium and bergamot arrive fresh and green, bright with citrus and a slightly bitter edge that cuts through the air. They linger without rushing, holding the foreground while the heart develops. The rose doesn't soften what came before; it acts as a counterweight, adding an aromatic floral layer that deepens rather than sweetens. Patchouli moves in as the top notes begin to settle, bringing its characteristic earthy, slightly smoky depth. As the drydown unfolds, amber and labdanum arrive to anchor the composition, shifting the character from a dynamic opening into something warmer, sweeter, and resinous. Vanilla appears in the final act, pulling everything toward a skin-warm glow. The presence is continuous and understated, not loud, but undeniably there throughout the wear.
Cultural impact
The fragrance takes its name from Miriam Makeba's signature click consonant singing technique, a vocal practice rooted in Xhosa musical traditions. Makeba brought this sound to global audiences, turning a regional phonetic element into a symbol of South African cultural identity during apartheid. Her music carried powerful cultural resonance abroad, becoming anthems for those who heard them. Click Song was created for Une Nuit Nomade to honor that legacy, translating musical defiance into olfactory form.
The House
Une Nuit NomadeUne Nuit Nomade is a Parisian niche fragrance house that translates the romance of travel into liquid form. Founded by Philippe Solas and Alexandra Cubizolles, the brand operates from Saint Germain-des-Pres and constructs each scent as a sensory passport to specific destinations, moments, and memories. The house draws its name from the concept of a wandering night, suggesting both adventure and intimacy. Solas brought a background spanning marketing, communications, and Chinese healing practices before entering fragrance, while Cubizolles contributed complementary expertise that enabled the pair to build something independent in an industry often dominated by large houses. Their catalog spans over a dozen compositions released between 2015 and 2025, each named after places or evocative travel moments rather than conventional olfactory categories. The brand presents itself as artistic perfumery that embodies elegance and adventure simultaneously, creating fragrances meant to transport wearers across continents without leaving their skin.
The Creator
Serge de OliveiraDe Oliveira gravitates naturally toward woody notes, particularly vetiver and patchouli, which drew his attention early under the mentorship of Richard Ibanez at IFF. His recent work leans heavily into 100% natural compositions, a deliberate and more demanding approach that su…
