The Story
Why it exists.
The beginning
Aghla landed in 2020 as part of Touch of Oud's expanding citrus-and-floral lineup, composed by Abdulla Almarzooq. The brief, if you read the composition closely, was restraint: take the sharp brightness of citrus, thread it through something sweeter and more tactile, and let the Middle Eastern warmth arrive only after the first impression has already done its work. The name sits comfortably within the brand's catalog, where Aghla occupies the role of one of its lighter, more luminous offerings, a deliberate counterweight to the heavier oud-led compositions Touch of Oud is known for. It is the scent the house reaches for when it wants to show range without losing its signature depth, proof that the brand's sensibility extends well beyond smoke and resin into territory that breathes.
What makes the pyramid interesting is the economy of it. Two top notes, two heart notes, two base notes. No excess, no padding. Bergamot and lemon do the bright opening work, orange blossom absolute introduces the floral register without dominating it, patchouli adds a quiet earthiness that prevents the florals from floating away, and then vanilla plus amber handle the landing. The ratio matters: this is not a soliflore wearing citrus as a hat, nor a gourmand staking a claim. It is a citrus-aromatic that knows where the line sits and refuses to cross it.
The evolution
The first twenty minutes are almost aggressively bright, bergamot and lemon arriving in a burst that reads less like synthetic spritz and more like fresh peel squeezed at the moment of contact with skin. By the forty-five-minute mark, orange blossom absolute takes the wheel and steers toward something softer, almost soapy in a good way, the kind of clean that comes from soap you actually want to smell, not from something trying too hard to perform freshness. The patchouli underneath that floral is what keeps it grounded; without it the heart would feel like air freshener, a problem the composition solves elegantly by letting that earthy note anchor the orange blossom to something tactile and real.
Cultural impact
Aghla sits in Touch of Oud's catalog as the lighter, more accessible counterpoint to the brand's heavier oud compositions, a release that lets the same Middle Eastern sensibility speak through citrus and florals rather than through smoke and resin. The composition offers amber without the smoke, and citrus without the sharpness, threading a line between traditions that often get treated as separate worlds.
The House
Touch Of OudTouch Of Oud curates a line of oud‑centric fragrances that balance the depth of traditional Middle Eastern wood with a restrained, contemporary sensibility. Each scent unfolds with a clear structure, allowing the rare heart of oud to speak without overwhelming the wearer. The brand positions itself as a bridge between heritage craftsmanship and modern niche perfumery, offering compositions that linger long on skin while remaining approachable for daily wear.
The Creator
Abdulla AlmarzooqAbdulla’s technique centers on a disciplined layering of base notes. He begins with a pure oud extract, then adds a measured dose of sandalwood to soften the edge.












































