The Story
Why it exists.
The beginning
Taboo With Makeup arrived in 2019. The perfumer, Mohammadreza Kazemian, used the launch to pose a question rather than sell an answer. The name itself does the work: taboo, the thing prohibited, set against makeup, the thing that seduces and covers. Kazemian built the fragrance around that contradiction, treating sin and surface as two sides of the same breath. The official framing is pointed. One is sin, one is pleasure. Which mirror is the distance between us? The composition lives inside that tension without resolving it. Fruity florals open the door, then the animalic undertow pulls the whole picture below the surface. Green notes cut through at the top, sharp and vegetal, almost like crushed stems still wet from the market.
The compositional choice that makes Taboo With Makeup worth examining is the meeting between castoreum and coconut. One reads as raw, leathery, almost bodily. The other reads as sweet, tropical, sunlit. Kazemian places them in the same heart, and the result isn't a clash but a slow contamination. The coconut loses its innocence. The castoreum picks up a strange, milky softness. Champaca adds the floral bridge, while cashmeran and powdery notes keep everything tactile rather than sharp. It's a deliberate trick. The fragrance seduces you first, then shows you what it actually is.
The evolution
The opening is the performance. Green notes lift, blackcurrant adds a tart edge, and the whole thing smells almost edible. Floral champaca curls through, and for a moment this could pass for a mainstream fruity-floral. Don't get comfortable. The castoreum arrives quietly, then takes over. The sweetness curdles into something warmer, muskier, and unmistakably animalic. Labdanum thickens the base, coconut still lingers but now reads waxy rather than fresh. This is where the duality the name promises actually shows up. The drydown settles into powdery musk with ambroxan humming underneath. It stays close to skin. What remains hours later is a faint talc-and-skin warmth, the kind of trace that makes you check your wrist before washing it off. The green notes fade first, leaving behind that brief edible sparkle as a memory.
Cultural impact
Taboo With Makeup operates at the intersection of bold material choices and conceptual naming. The fragrance uses animalic castoreum, rich labdanum, and waxy coconut alongside softer elements like champaca and cashmeran, creating a composition that pushes against conventional mainstream perfumery. The title itself does half the work, refusing to describe a scent and instead posing a philosophical question about sin and pleasure, about what hides and what displays. That kind of literary approach to naming sets it apart from fragrances that simply list their dominant notes or evoke a mood.
The House
Mohammadreza KazemianMohammadreza Kazemian is a self-taught perfumer from Iran who built his eponymous house on a provocative premise: imagination shapes reality. Rather than chasing trends, the brand invites wearers into what it calls a fantasy world, where attitude and original thinking transform ordinary moments into something extraordinary. Each fragrance functions as a narrative artifact, inviting the wearer to rewrite their own story through scent.
The Creator
Mohammadreza KazemianKazemian's compositions lean toward the floral-oriental and ambery territory, with enough restraint to keep them wearable rather than decorative. He shows a clear affection for powdery hearts built on iris, for the quiet luxury of ambrette, and for woods that lend a warm, slig…
