The Story
Why it exists.
The beginning
Michel Girard designed Bois d'Hiver for Ex Nihilo's Initiale collection. The name means winter wood in French, not the cozy cedar of a fireplace, but the raw, skeletal wood of a cold season. This is a fragrance that refuses easy comfort, constructed around the idea of cold, spare wood standing stark against a winter sky. The powdery heart at its center offers a quiet counterbalance, but the overall effect remains austere and assured.
The tension lives in the structure itself. Top notes of cardamom and pink pepper arrive sharp and aromatic, built to announce themselves. Then the heart, heliotrope, cyclamen, white cedar, softens everything. But the base refuses to cooperate. Cypriol brings an earthy, slightly animalic depth that grounds the composition. Patchouli adds its signature earth. Musk softens without disappearing. The result is a fragrance that argues with itself from first spray to final drydown, and that's exactly what Girard intended.
The evolution
Cardamom opens crisp and clean, pink pepper adding a delicate heat that doesn't sting. Thirty minutes in, the woody heart takes over, white cedar asserts itself first, a clean and slightly resinous presence. Then the florals arrive. Cyclamen brings its green-floral signature while heliotrope softens everything with its powdery, slightly almond warmth. The base notes never fully surrender, though. Cypriol and patchouli push through the softness, creating an earthy counterweight that keeps the composition grounded. By the second hour, the woods dominate, cypriol's mineral earth, sandalwood's cream, patchouli's depth. Musk holds everything together, adding a skin-like warmth that makes the drydown intimate rather than projecting. The drydown reveals soft woods lingering close to the skin, maintaining presence and distinction without fanfare.
Cultural impact
Bois d'Hiver occupies a distinctive position in the Ex Nihilo collection. The fragrance presents itself as a modern statement on masculine scent, exploring themes of power and structure without aggression or rigidity. Its character resists easy categorization, sitting comfortably between purely masculine and classically feminine interpretations. The composition finds confidence in its own contradictions, offering something that feels both grounded and complex.























