The Story
Why it exists.
Clive Christian's Addictive Arts collection takes its cue from Shakespeare's A Midsummer Night's Dream, a play where the rules dissolve and pleasure wins. Jump Up And Kiss Me Hedonistic channels that energy: an oriental built for desire, not discretion. Julie Pluchet composed it around a citrus-herbal opening that disarms before the depth arrives. The name isn't subtle. Neither is the intent.
If this were a song
Community picks
Take Me to Church
Hozier
The Beginning
Clive Christian's Addictive Arts collection takes its cue from Shakespeare's A Midsummer Night's Dream, a play where the rules dissolve and pleasure wins. Jump Up And Kiss Me Hedonistic channels that energy: an oriental built for desire, not discretion. Julie Pluchet composed it around a citrus-herbal opening that disarms before the depth arrives. The name isn't subtle. Neither is the intent.
What makes this structure unusual is the layering of cherry against bitter herbs and smoke. Most orientals lead with warmth and let the sweetness arrive gradually. Here, the black cherry hits first, bold, almost confectionary, before absinthe and wormwood introduce a green bitterness that resets the palate. The tobacco and leather that follow feel earned rather than inevitable. It's a fragrance that knows it's taking risks and doesn't hedge them.
The Evolution
The opening is dominated by citrus and cherry, where bergamot and neroli lift the composition while black cherry sits sweet and slightly tart on top. Clary sage adds a herbal nuance that keeps it from becoming a fruit-bomb. As the fragrance moves forward, the cherry softens and tobacco gains weight, warm and slightly dry, with amber arriving to smooth the edges. The absinthe fades but its bitterness leaves a trace, keeping the sweetness honest. In the drydown, leather and vanilla anchor everything close to the skin. The cherry becomes a memory, a warmth rather than a distinct note. What remains is intimate and animalic in the best way, lasting past midnight on most skin types.
Cultural Impact
The Addictive Arts collection occupies a unique space in Clive Christian's lineup. Originally launched as a limited edition in 2017, Jump Up And Kiss Me Hedonistic developed enough of a following to be brought back in 2021, a rare move for a house that doesn't rush releases. It's become a cult fragrance within this collection, the kind of scent that serious fragrance people reference with particular enthusiasm.
The House
United Kingdom · Est. 1999
Clive Christian sits at the intersection of Victorian heritage and modern luxury perfumery. When designer Clive Christian acquired the Crown Perfumery Company in 1999, he inherited a fragrance house with royal credentials: Queen Victoria herself had granted the company permission to display her crown on its bottles back in 1872. Today, Clive Christian creates perfumes of unusual depth and concentration, each carrying that same royal imprimatur. The result is fragrance that feels less like a product and more like an object of quiet, enduring prestige. With fragrances like the Original Collection and Private Collection, the house has built a reputation for craftsmanship that justifies its position among the world's most distinguished niche perfumers.
If this were a song
Community picks
This fragrance sounds like the moment just before, the room warming, the conversation shifting. Hedonistic warmth with a cinematic edge, rooted in desire and a refusal to be careful about it. The sonic equivalent is late-night soul and indie with weight behind it.
Take Me to Church
Hozier

































