The Story
Why it exists.
Wild Hunt was conceived as a scent‑map of an ancient forest caught in the heat of a summer afternoon. Christopher Brosius aimed to bottle the feeling of torn leaves, crushed twigs and flowing sap, translating the raw woodland into a perfume. Launched in 2007, the fragrance fits CB I Hate Perfume’s habit of turning everyday moments into personal olfactory diaries, offering a tactile memory of the woods rather than a polished commercial scent.
If this were a song
Community picks
The Woods
Bon Iver
The Beginning
Wild Hunt was conceived as a scent‑map of an ancient forest caught in the heat of a summer afternoon. Christopher Brosius aimed to bottle the feeling of torn leaves, crushed twigs and flowing sap, translating the raw woodland into a perfume. Launched in 2007, the fragrance fits CB I Hate Perfume’s habit of turning everyday moments into personal olfactory diaries, offering a tactile memory of the woods rather than a polished commercial scent.
The formula leans on unconventional materials: Boletus edulis, a cultivated mushroom note, anchors the heart, while oakmoss adds a damp, forest‑floor depth. Pine tree and green notes recreate the sharp, resinous scent of conifer needles, and the grass top injects a fresh, meadow‑like bite. Soil tincture and woody notes form a loamy base that mimics the earth after a summer rain, giving the composition a grounded, almost tactile finish.
The Evolution
The opening bursts with a sharp pine‑tree spray and a rush of freshly cut grass, instantly placing you on a sun‑drenched trail. Within ten minutes the green notes soften, letting the mushroom heart of Boletus edulis emerge, mingling with oakmoss to create a damp, earthy core that feels like a hidden glade. As the drydown settles after half an hour, soil tincture and woody notes rise, coating the skin in a warm, loamy veil that lingers for three to four hours before fading into a faint, pine‑tinged memory. The sillage remains moderate throughout, keeping the forest close but never overwhelming the space.
Cultural Impact
Since its 2007 debut, Wild Hunt has become a cult favorite among niche‑fragrance enthusiasts who prize authentic woodland vibes. Reviewers often compare its raw pine‑grass opening to the legendary Tauer Verdant, while its mushroom heart sets it apart as a true ‘forest‑bomb’. The scent’s unapologetic earthiness has sparked lively debates on forums, cementing its status as a reference point for green‑earth compositions in the indie perfume community.
The House
United States · Est. 2004
CB I Hate Perfume is a Brooklyn‑based niche fragrance house founded by Christopher Brosius. The label treats scent as a personal narrative rather than a commodity, offering small‑batch creations that often blend unconventional ingredients. Each launch arrives with a handwritten note, inviting the wearer to experience the perfume as a moment in time rather than a mass‑produced product. The brand’s catalogue includes titles such as Cradle of Light (2006) and Wet Pavement London (2014), each reflecting Brosius’s idiosyncratic relationship with smell.
If this were a song
Community picks
Wearing Wild Hunt feels like stepping into a sun‑lit pine forest; the playlist mirrors that with earthy, organic tones that echo the scent’s green‑earthy heart.
The Woods
Bon Iver


























