The Story
Why it exists.
Cécile Hua designed Monday around a single ritual, that first cup of the week, the one that makes everything else possible. Black tea as the heart note, not an afterthought. The concept wasn't tea-flavored anything. It was Earl Grey as a daily practice. She opened with bergamot and lemon zest to give the bergamot its due, let the tea heart run bitter and real, then grounded it in cream and soft wood so the whole thing wouldn't project across a room but instead stay close, intimate, warm, and built for skin rather than show.
If this were a song
Community picks
The Morning
Max Frost
The Beginning
Cécile Hua designed Monday around a single ritual, that first cup of the week, the one that makes everything else possible. Black tea as the heart note, not an afterthought. The concept wasn't tea-flavored anything. It was Earl Grey as a daily practice. She opened with bergamot and lemon zest to give the bergamot its due, let the tea heart run bitter and real, then grounded it in cream and soft wood so the whole thing wouldn't project across a room but instead stay close, intimate, warm, and built for skin rather than show.
What makes Monday work is the citrus at the top. It's sharp enough to wake you up, the bergamot opens bright and stays that way for a few minutes before the black tea takes over. The tea note itself is unusual. It's not the sweet red tea you find in some niche compositions. It's the bitter, leaf-dark kind. Real Earl Grey. Then the lactonic notes appear in the drydown, milk and sandalwood creating a creaminess that some people get within an hour and others don't get until the final hours on skin. That's not a flaw. It's just skin chemistry doing what it does.
The Evolution
Monday opens with bergamot and lemon zest, bright, bracing, the kind of citrus that cuts through Monday morning fog. It doesn't linger long. Within minutes, black tea takes over. Real Earl Grey, bergamot and all. Bitterness and leaf-dark astringency before it softens. Then lavender threads through, herbal, almost medicinal, the kind that settles into milk and sandalwood as the composition moves toward something creamier. The drydown belongs to sandalwood, vanilla, and amber. Clean wood. Warm vanilla. A touch of ISO E Super that keeps everything skin-close. Moderate projection. Intimate sillage. The fragrance earns a loyal following for how it evolves across a wearing day, and the drydown, vanilla, sandalwood, lingers even after the citrus and tea have faded. That's the payoff: warm, close, lasting into the evening commute.
Cultural Impact
Monday fills a specific gap: photorealistic tea in a market full of tea-adjacent compositions. The Earl Grey accuracy is what people talk about. It's the benchmark against which other tea fragrances get measured. Wearers describe it as the scent of someone who walks into a room and doesn't need to announce themselves, understated, intentional, and built for the ritual rather than the impression.
The House
United States · Est. 2015
Arielle Shoshana began as a multi-brand boutique and evolved into a fragrance house that operates out of the Washington metropolitan area. The brand carries its own signature scent collection while continuing to host a curated selection of niche perfumes, creating a rare blend of retailer and creator. Each fragrance in the core line bears the name of a weekday, a tongue-in-cheek naming system that speaks to the founder's playful approach to perfumery. The boutique identity shows through in how the fragrances are presented: understated, intimate, and built for skin rather than show. The brand maintains a presence in local communities near Washington D.C., where Arielle Weinberg and her co-owner Katri Haas built the business from the ground up.
If this were a song
Community picks
The feeling of a Monday morning when everything actually goes right. Bright, warm, unhurried, like a song that knows the week is long but isn't worried about it yet.
The Morning
Max Frost
































