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    Master Perfumer

    Antonio Gardoni

    Antonio Gardoni builds things. He has always built things, first as an architect in his native Brescia, then, about a decade ago, as a perfumer working alongside the legendary Angelo Bogue Profumo. Gardoni came late to perfumery—he admits he never considered himself a perfume person—and spent years working in Bogue's laboratory before his name gained traction. The architect's training shows in his work: precise structure, unexpected geometries of scent, a fondness for construction over decoration. He gained widespread attention for Maai, the Bogue chypre that became a cult favorite for its bold, mossy sweep. His collaboration with Zoologist Perfumes on T-Rex brought him to a wider international audience. Gardoni still lives and works in Italy, where he continues to develop fragrances for Bogue while pursuing his own projects with methodical patience.

    Active since 20143 brands19 creations
    See notable work
    AG
    Output
    19
    Fragrances composed
    Acclaim
    4.0
    Average rating
    across the catalogue
    Career
    2014
    First composition

    The signature

    How Antonio composes

    Gardoni displays a predilection for green, atmospheric compositions and complex chypre structures. His signature tends toward fragrances that evolve dramatically: opening with force before settling into something more contemplative. His notes often hold unexpected contrasts, combining freshness with weight, crispness with resinous depth. He draws from classical perfumery without being bound by it, and his work with animalic materials appears disciplined rather than maximalist.

    Philosophy

    What drives Antonio

    Gardoni approaches fragrance composition as a problem-solving exercise, not a purely intuitive one. He has noted that understanding a perfume takes time, and that the brain plays a more significant role than the nose in creating compelling scent. This cerebral stance distinguishes him from perfumers who emphasize raw instinct. For Gardoni, each fragrance must earn its place through structural logic, not simply through pleasant accord. He works slowly, revisiting formulas until the architecture feels resolved.

    The houses

    Maisons Antonio composes for