The Story
Why it exists.
In 2020, D'ORSAY returned to a signature that defines their modern era: the delicate soliflore. Olivia Giacobetti, the nose behind En Passant and Philosykos, built Vouloir Être Ailleurs around C.G., a figure described as one of the Bright ones: discreet, sensitive, always reaching toward something just beyond the present moment. The name itself is the brief: wanting to be elsewhere. Not escape into something harsh or dramatic. Just that persistent, tender ache of being in a beautiful place and feeling something pull you forward into what's next.
If this were a song
Community picks
Fields of Gold
Sting
The Beginning
In 2020, D'ORSAY returned to a signature that defines their modern era: the delicate soliflore. Olivia Giacobetti, the nose behind En Passant and Philosykos, built Vouloir Être Ailleurs around C.G., a figure described as one of the Bright ones: discreet, sensitive, always reaching toward something just beyond the present moment. The name itself is the brief: wanting to be elsewhere. Not escape into something harsh or dramatic. Just that persistent, tender ache of being in a beautiful place and feeling something pull you forward into what's next.
Linden blossom is Giacobetti's quiet masterwork here. It's everywhere in Paris come June, tiny yellow-green flowers on the boulevards, heady and slightly animalic in the heat. Beeswax absolute amplifies that waxy, golden warmth without tipping into honey. Hay grounds it. Acacia wood gives the base a dry, dusty weight that stops the whole composition from floating away. This is restraint as craft: nothing is pushed, nothing shouts. The strength is in the clarity.
The Evolution
The opening is angelica seed and lemon leaf, green, slightly bitter, the smell of stems freshly broken. For thirty minutes it reads like a botanical you might have passed on a walk. Then the linden arrives. Not announces itself, arrives, slipping into the green the way afternoon light slips through leaves. The honeyed warmth builds as the green recedes, and by hour two you've left the botanical garden entirely. You're somewhere with no walls. Hay, beeswax, acacia wood form a soft base that lingers close to the skin for hours. The drydown is barely there, a memory of a memory, the way a perfect summer afternoon feels the next morning.
Cultural Impact
Vouloir Être Ailleurs belongs to a quiet tradition in French perfumery: the soliflore that asks you to slow down. Giacobetti's work with En Passant and Philosykos established her as someone who builds entire worlds from single botanical elements. This 2020 release continues that approach, intimate, restrained, refusing to shout in a category that often rewards volume.
The House
France · Est. 1830
D’ORSAY is a Paris‑based perfume house that balances historic romance with contemporary sensibility. Founded in the early nineteenth century, the brand has built a catalogue that includes vintage icons such as Intoxication d’Amour (1942) and modern releases like Tonka Hysteria (2024). Its fragrances are crafted for anyone who enjoys nuanced scent journeys, whether worn day or night. The house continues to publish candles and diffusers that echo the same olfactory language, offering a curated portal into French perfume heritage.
If this were a song
Community picks
Like the scent itself, golden afternoon light with no particular place to be. Gentle, warm, tinged with the bittersweet knowledge that summer afternoons don't last. The music that plays in the background of a perfect summer that you're already starting to miss.
Fields of Gold
Sting






















