The Story
Why it exists.
The beginning
Before Voile de Violette existed, there was a ceramic bottle painted with violets and a lavender satin ribbon stopper. Laurie Erickson was a girl. The scent inside was intense, green-edged, and she spent hours removing the stopper just to breathe it in. Years later, she learned that the violets she saw as a child were the scentless kind. She had been in love with a memory, and with violet fragrance itself, long before she knew the difference. When she began creating Voile de Violette in 2007, the intention was specific: take that long-ago impression and soften it with woods. Not a soliflore study. Not a declaration. A violet that felt like walking into a damp forest rather than standing in a perfume shop. The name says as much, Voile, a veil, suggests something draped and translucent rather than loud. This was violet made quiet. Violet made earth.
Violet leaf is an unusual top note. Most violet fragrances lean immediately into petals and powder, the sweet, almost candied character that most people associate with the accord. Voile de Violette refuses that entirely. The violet leaf opens green and sharp, almost ozonic, like crushed stems on a wet morning. Iris enters with its powdery, slightly metallic floral character, but here it doesn't go creamy or buttery. It stays cool, almost mineral, threading between the green and the earthiness. What makes the structure work is the hay. Hay is a rarity in modern perfumery, it carries a warm, slightly animalic dryness that bridges the green opening and the woody drydown without smoothing the transition.
The evolution
The opening hits fast, green violet leaf, cool iris, a vetiver lift that keeps everything off the skin and into the air. Twenty minutes in, the composition pivots. Violet and rose appear, but not as a bouquet. More like the memory of flowers seen through forest light. Hay adds a warm, dry thread that keeps the floral from ever going sweet. The drydown is where Voile de Violette earns its reputation. Cedar, myrrh, and tonka bean settle into a warm, woody base that stays close to the skin for hours. This is not a fragrance that announces itself across a room. It lives about eighteen inches from your wrist. But on the right person, in the right quiet moment, that closeness is the entire point.
Cultural impact
Voile de Violette occupies a specific space in the indie niche, a violet that refuses the obvious. While mainstream violet fragrances leaned into powdery sweetness and soliflore nostalgia, Erickson's composition went the other direction, building something atmospheric and unconventional. It found an audience among violet lovers who had grown tired of the same territory, and among fragrance wearers who define themselves through considered taste rather than name recognition. Still in production since 2007.
The House
Sonoma Scent StudioSonoma Scent Studio is an independent fragrance house based in Sonoma, California. Founded by perfumer Laurie Erickson, the studio creates handcrafted perfumes that blend natural and synthetic materials in carefully considered proportions. The collection spans from all-natural compositions to mixed-media fragrances, offering wearers a range of olfactory expressions rooted in classic perfumery traditions. Each scent emerges from Erickson's hands-on approach, combining high-quality aromatics into coherent, wearable fragrances. The house has developed a devoted following among fragrance enthusiasts who appreciate its commitment to craftsmanship over commercial appeal. With approximately 31 fragrances released since 2006, the studio maintains a focused catalog that emphasizes depth and longevity over breadth.
The Creator
Laurie EricksonWoody, labdanum, and incense form the spine of Erickson's most recognizable work. She gravitates toward materials with depth and shadow, building fragrances that unfold over hours rather than minutes.
