The Story
Why it exists.
The beginning
Oud Al-Sultan belongs to the oud end of Majid Muzaffar Iterji's catalogue, with its name joining the house name and the material at the fragrance's centre. Burmese, Cambodian and Vietnamese oud are listed as its principal notes, giving the composition an unusual geographic spread within a single family. The source material identifies the release year as unknown, so the fragrance is better approached through its note listing and the character of oud itself. It is a study in agarwood: direct, distinctive and built around the idea that the material can carry the identity of the scent.
Burmese, Cambodian and Vietnamese oud, side by side. The listing places three named origins at the centre of Oud Al-Sultan, making the fragrance an exploration of oud from different sources within one composition. Each origin can bring its own character to the material, while their shared family gives the idea a clear through-line. The result is a fragrance that invites attention to the nuances of agarwood itself. Its note list is centred on oud, with no complete promotional account of the surrounding composition available here to define the wider shape of the scent.
The evolution
Oud Al-Sultan is presented as an oud-led fragrance from Majid Muzaffar Iterji, with Burmese, Cambodian and Vietnamese agarwood forming its documented core. That three-origin listing gives the composition a clear point of departure: rather than suggesting a broad catalogue of supporting notes, the scent places the focus on agarwood and its variations. The listed materials offer a framework for tracing how the fragrance can evolve, with the different oud origins adding depth and character as the wearer becomes familiar with them. The source material reports long-lasting performance, while the release year remains unknown and no public perfumer credit is stated. Its appeal lies in this concentrated oud theme, an invitation to compare the three origins and appreciate how each contributes to the overall composition.
Cultural impact
Oud Al-Sultan can be understood through the cultural importance of agarwood and the different origins associated with it. Its listing of Burmese, Cambodian and Vietnamese oud brings three sources of the material into a single Majid Muzaffar Iterji composition, offering a way to encounter them side by side. The fragrance is particularly relevant to the house's broader identity in the fragrance base, where it sits among 87 perfumes and reflects a catalogue with an established oud presence. Its release year is unknown, while the three named oud origins remain the clearest and most verifiable markers of its identity.
