The Story
Why it exists.
Phantasma takes its name from the Greek concept of phantasma, a visual hallucination, an apparition that isn't quite there. It's a fragrance built on the idea that what you smell might be more real than what you see. Anne-Sophie Behaghel composed it for Les Liquides Imaginaires, a French house that treats perfume as a vehicle for mythology and transformed perception rather than simple scent. Phantasma enters the collection as a study in what lingers at the edge of perception: green, clean, and perpetually half-present. The fragrance opens with a bright citrus quality, then cools into tea and green notes that feel perpetually poised between presence and absence, like something glimpsed only in peripheral vision.
If this were a song
Community picks
Morning Fog
Philip Glass
The Beginning
Phantasma takes its name from the Greek concept of phantasma, a visual hallucination, an apparition that isn't quite there. It's a fragrance built on the idea that what you smell might be more real than what you see. Anne-Sophie Behaghel composed it for Les Liquides Imaginaires, a French house that treats perfume as a vehicle for mythology and transformed perception rather than simple scent. Phantasma enters the collection as a study in what lingers at the edge of perception: green, clean, and perpetually half-present. The fragrance opens with a bright citrus quality, then cools into tea and green notes that feel perpetually poised between presence and absence, like something glimpsed only in peripheral vision.
What makes Phantasma unusual is the combination of black tea and rice. Tea is common enough in niche perfumery, but rice, actual rice, that slightly starchy, powdery note, is rare. It doesn't smell like food. It smells like the memory of food, or perhaps the absence of hunger. Paired with yuzu's bright citrus and juniper's clean, almost medicinal sharpness, the composition creates a green, fresh aromatic profile that sits somewhere between skincare and atmospheric. The lactonic quality, a creamy, almost milk-like softness, keeps the whole thing grounded rather than airy.
The Evolution
The opening hits quickly: yuzu bright and sharp for the first five to ten minutes, almost like zest scraped across the skin. Then the green notes arrive, cooler and more astringent, as black tea takes over the conversation. The juniper adds a faint pine-and-gin quality that keeps the citrus from becoming sweet. About thirty minutes in, the rice begins to surface, not as a distinct note but as a softening agent, a powdery warmth that rounds the edges of everything that came before. The drydown is where Phantasma earns its name: woody and musky, close to the skin, present but not intrusive. It lingers like a trace in an empty room, fading as a quiet, intimate presence that never fully disappears but gently dissolves into the air around you. The evolution feels measured and deliberate, each phase sliding into the next without sharp boundaries.
Cultural Impact
From the conceptual French house Les Liquides Imaginaires comes Phantasma, a quiet, contemplative fragrance for those who wear scent for themselves rather than the room. The house built its identity on mythological narratives and artistic ambition, and this release leans into that legacy without shouting. The green-tea-rice combination feels deliberate, almost meditative, and the sparse palette rewards patience over theatrics. The composition has become significant within niche fragrance circles, particularly among collectors who value subtlety and intentionality over performance.
The House
France · Est. 2012
Les Liquides Imaginaires treats perfume as a sacred, transformative substance, moving beyond simple scent to create olfactory stories rooted in mythology and symbolism. It’s a house for those who believe fragrance can be a key to another world, a form of liquid magic.
If this were a song
Community picks
Phantasma sounds like the moment before a storm, still air, bright and cool, with something electric waiting underneath. Yuzu citrus, green notes, and black tea create a composition that feels clean but never ordinary. Think of the soundtrack as a quiet room with the windows open to morning light.
Morning Fog
Philip Glass




















