The Story
Why it exists.
Every city has a fragrance it pretends to have but doesn't. Los Angeles smells like car exhaust,人手 burritos, and the ocean nearby but never quite arrived at. What État Libre d'Orange wanted was the idea of LA, that specific optimism in the light, the sense that everything is still possible at ten in the morning. Caroline Sabas built the scent around the hour before the city earns its reputation: green, still, smelling like something hasn't gone wrong yet.
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Brian Eno
By Day
The Beginning
Every city has a fragrance it pretends to have but doesn't. Los Angeles smells like car exhaust,人手 burritos, and the ocean nearby but never quite arrived at. What État Libre d'Orange wanted was the idea of LA, that specific optimism in the light, the sense that everything is still possible at ten in the morning. Caroline Sabas built the scent around the hour before the city earns its reputation: green, still, smelling like something hasn't gone wrong yet.
The structure is unusual for a green fragrance. Instead of stacking vetiver and oakmoss into something heavy and grounded, this pulls toward transparency. Hedione does the emotional lifting here, it creates the sensation of light rather than the smell of a specific ingredient. The blackcurrant adds a quiet tartness that keeps the green notes from reading as herbal or medicinal. Star anise appears in the top, lending an unexpected warmth that most people smell without identifying. The effect is a fragrance that feels like morning without trying to smell like morning.
The Evolution
The opening hits fast and bright, mint, grapefruit, and bergamot arrive together like a shutter opening. For about twenty minutes it reads as crisp and immediate, almost aggressive in its freshness. Then the mint settles and the hedione takes over, and the whole thing softens into something more interesting. The cassis adds a slight tartness; the rose appears quietly, barely there. The green notes don't disappear, they fade into something cleaner, blending with the white musk as the base takes over. By the third hour you're in the drydown: transparent, skin-close, intimate. Moderate sillage, never filling a room. The kind of fragrance that someone notices only when they're close enough to feel your warmth.
Cultural Impact
You Or Someone Like You occupies an unusual position in the niche fragrance world: a fresh, approachable scent from a house known for provocation. Where most État Libre d'Orange releases court controversy, Sécrétions Magnifiques, Putain des Palaces, this one went quiet. And quiet, it turns out, is also interesting. The fragrance found an audience among people who wanted something from the house but not something loud. It's become a quiet fan favorite: the scent for someone who appreciates the brand's philosophy but prefers to wear it indoors.
The House
France · Est. 2006
Étienne de Swardt founded Etat Libre d'Orange in 2006 with a manifesto: perfume should provoke. The house gives its perfumers total creative freedom — no commercial briefs, no focus groups. The result is a catalog of unapologetic scents, from the animalic shock of Sécrétions Magnifiques to the delicate restraint of Yes I Do. Perfumery as contemporary art.
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The scent moves like early light, unhurried, already warm, asking nothing of you. A quiet Los Angeles morning before the city remembers what it's supposed to be.
Brian Eno
By Day























