The Story
Why it exists.
Aurélien Guichard composed Ricci Ricci for Nina Ricci in 2009, releasing it as a fragrance for glamorous urban heroines. Working within the house's long tradition of romantic florals, Guichard built something that announces itself rather than whispers. The name itself carries double meaning: the Italian surname that anchors the house. Ricci Ricci opens with the metallic green bite of rhubarb and the bright citrus lift of bergamot, a crisp and immediate impression that gives way to a concentrated rose heart. The drydown settles into patchouli's earthy darkness softened by sandalwood's creamy warmth. It's a statement fragrance that doesn't rely on subtlety, offering bold florals with real presence.
If this were a song
Community picks
Crystalised
The xx
The Beginning
Aurélien Guichard composed Ricci Ricci for Nina Ricci in 2009, releasing it as a fragrance for glamorous urban heroines. Working within the house's long tradition of romantic florals, Guichard built something that announces itself rather than whispers. The name itself carries double meaning: the Italian surname that anchors the house. Ricci Ricci opens with the metallic green bite of rhubarb and the bright citrus lift of bergamot, a crisp and immediate impression that gives way to a concentrated rose heart. The drydown settles into patchouli's earthy darkness softened by sandalwood's creamy warmth. It's a statement fragrance that doesn't rely on subtlety, offering bold florals with real presence.
What makes Ricci Ricci interesting is the tension at its center. The pyramid stacks concentrated, almost exaggerated materials, tincture of rose, not rose water; Indian tuberose, not a softened floral accord; angel's trumpet bringing its own nocturnal intensity. Against this lush heart, the opening rhubarb plays sharp and tart, almost medicinal. Bergamot adds brief citrus. The combination, green-bright top into opulent white florals, is the fragrance's argument: it wants to be noticed, and it has the conviction to insist.
The Evolution
The opening hits fast: rhubarb's metallic green bite followed by bergamot's bright citrus lift. Think garden after rain, crisp, sharp, immediate. The green gives way as the heart takes over. The rose arrives not as delicate petals but as a tincture, concentrated, slightly bitter, almost medicinal in its richness. Then the tuberose opens fully: opulent cream, heady sweetness, a faintly animalic undertone. Angel's trumpet adds its pull. The drydown settles into patchouli's earthy darkness softened by sandalwood's creamy warmth. The florals don't disappear, they become a warm undertone rather than a statement, lingering softly on the skin.
Cultural Impact
Ricci Ricci occupies a specific position: a white floral with real concentration and presence. The concentrated rose, the rich tuberose, the green tartness at the opening, it makes its presence known. Released in 2009, it offered something different in the white floral category. The advertising campaign showed exactly that energy, positioning the fragrance as a distinctive choice. For those drawn to bold florals with presence, it's remained a distinctive choice in the fragrance landscape.
The House
France · Est. 1932
Nina Ricci is a Parisian fashion house founded in 1932 by Italian-born designer Maria "Nina" Ricci and her son Robert Ricci. The house began as a couture salon on Rue Haussmann, quickly establishing a reputation for refined, feminine gowns with romantic sensibility. Robert established an in-house perfume division in 1941, though the first fragrance would not arrive until 1946. That inaugural scent, Coeur Joie, marked the beginning of a partnership with Lalique that would define the house's olfactory identity. The house introduced its most celebrated fragrance, L'Air du Temps, in 1948, a scent that remains in production decades later. Puig acquired Nina Ricci in 1998, bringing the house under the same ownership that manages Carolina Herrera and Jean Paul Gaultier. Today, the fragrance collection spans from timeless classics to contemporary offerings like the Nina line, maintaining the house's commitment to feminine elegance.
If this were a song
Community picks
Luminous and crystalline, with cool confidence and electric sparkle. City at dusk, neon catching the last light, streets warming up. Rhubarb-green sharpness gives way to something warmer, more insistent. The sonic equivalent of a heroine who doesn't wait for the room to notice her.
Crystalised
The xx


























