The Story
Why it exists.
Jacomo emerged in 1978, and Silences arrived during that era when green perfumes had their heyday. The original 1970s formulation by perfumers Gerard Goupy and Jean-Claude Niel established the house's identity. In 2012, Serge Majoullier reworked Silences into the Sublime version, maintaining the essential architecture while updating proportions. This is the fragrance that defines what Jacomo means to its loyalists. The name itself is the concept: silence as presence, not absence. A room that has just emptied of conversation still holds something.
If this were a song
Community picks
Green Light
Mitski
The Beginning
Jacomo emerged in 1978, and Silences arrived during that era when green perfumes had their heyday. The original 1970s formulation by perfumers Gerard Goupy and Jean-Claude Niel established the house's identity. In 2012, Serge Majoullier reworked Silences into the Sublime version, maintaining the essential architecture while updating proportions. This is the fragrance that defines what Jacomo means to its loyalists. The name itself is the concept: silence as presence, not absence. A room that has just emptied of conversation still holds something.
What makes this composition work is the sustained tension between green and floral. Most green florals use green as an opener that gives way entirely to flowers. Silences keeps them in conversation throughout the heart phase. The galbanum isn't a bridge to something else; it's a character that stays, arguing with the roses and cassis. The blackcurrant is the peacemaker, its tart-fruity quality bridging the sharp green and the soft florals without dissolving either. Serge Majoullier understood that the original's power came from this unresolved tension.
The Evolution
The opening is stern and takes its time softening. First comes the galbanum, uncompromising in its green severity. Then blackcurrant arrives with a tart brightness that gradually convinces the green to yield. The Bulgarian Rose unfolds slowly, never rushing, and the lily of the valley keeps everything grounded in white-flower delicacy. By hour two, the florals have won but the green hasn't fully surrendered. Musk, sandalwood, and vetiver arrive quietly. The drydown lasts longest on fabric and becomes something almost atmospheric the next day. Moderate sillage throughout, present enough to notice without announcing itself.
Cultural Impact
Silences belongs to a category of perfumes that defined 1970s perfumery: the green chypre, architectural fragrances that treated scent as serious art rather than pleasant background noise. When green perfumes fell out of fashion in favor of sweet florals and later orientals, pieces like Silences became cult favorites, sought by those who found mainstream fragrance boring. The 2012 reissue brought this sensibility to a new generation, though the green-floral-chypre combination remains outside mainstream taste. That's precisely why it matters.
The House
The Creator
Serge MajoullierJacomo emerged in 1978 as a French fashion house expanding into fragrance. Silences, released during the brand's early years, became its signature expression: a green floral with intellectual depth that rejected the opulent trends of its era. The name itself proposed a philosophy: presence without performance, scent as atmosphere rather than statement. In 2012, the house reissued Silences as Silences Sublime, updating the formula while preserving its essential character. The perfumer Serge Majoullier approached the reformulation as a conversation with the original, respecting what worked while making the composition current enough for modern noses.
If this were a song
Community picks
The opening has the quiet tension of held breath before a confession. The heart blooms slowly like flowers opening in a shaded garden. The drydown is warm skin and memory, the kind of scent that lingers in empty rooms.
Green Light
Mitski












