The Story
Why it exists.
The beginning
Gateways arrived in 2013 as part of the Achtung collection, a collaboration between House of Matriarch and artist Rick Barchenger. Each fragrance in the series interprets a piece of Barchenger's sacred geometric art through scent. Gateways corresponds to the work titled Unplugged, and Meshell translated that concept into olfactory terms. The fragrance leans into its white floral character with a creamy, slightly indolic quality that asserts itself confidently rather than waiting to be discovered. Tuberose opens the composition, bold and tropical, laying the groundwork for the notes that follow. This is a scent that invites you in and asks you to stay.
What makes Gateways notable is its willingness to place tuberose alongside mitti attar. One is tropical, lush, almost voluptuous. The other is the smell of sun-baked earth, petrichor, the mineral scent of soil after rain. These elements exist in productive tension, and Meshell leans into that contrast rather than smoothing it. The Texas chocolate grounds the florals in something bittersweet, while Hawaiian vanilla keeps the base warm without tipping into dessert territory.
The evolution
The opening is all tuberose. Creamy, slightly indolic, the kind of white floral that announces itself without asking permission. Within twenty minutes the chocolate enters, not as a confection but as something darker, richer, almost bitter. The tobacco follows, leaf-dry and resinous at once. These three hold the stage for the better part of the morning, trading dominance depending on your skin. As the composition moves forward, the florals begin to recede and the earthiness arrives. Mitti attar takes over, mineral and warm, the smell of ground rather than green. The vetiver and amber settle into something quiet and close to the skin. Hours later, a faint trace of chocolate and earth may still cling to the wrist. Not loud. But present.
Cultural impact
Gateways occupies a quiet corner of niche perfumery history. Released in 2013 as part of the Achtung collection, it reflects a time when independent perfumers built compositions around concept as much as notes. The scent is now discontinued, which has only heightened its significance among those who follow House of Matriarch's more unusual work. For collectors and enthusiasts who remember it, Gateways remains a reference point for how thoughtfully a fragrance can bridge visual art and scent.



























