Ashek Zubayer
Ashek Zubayer emerged from the bustling streets of Dhaka, where his childhood home filled with incense and spice. He apprenticed under seasoned attar makers in Bangladesh and later refined his technique in the perfume ateliers of Istanbul. By 2020 he launched BYERMIA, a boutique house that carries his family’s name and his own relentless curiosity. Within a year he released Vietnamese Black, a dense oud that quickly earned praise from collectors for its smoky depth and endurance. Critics note that his early work already balances raw material power with restrained elegance. Today he guides a small team of artisans, sourcing rare woods, floral absolutes, and animal‑free musks from remote farms. His reputation rests on a handful of bold releases that have secured his place among the new generation of natural perfumers.
The hits
Notable creations
The signature
How Ashek composes
Zubayer favors raw attars and unrefined absolutes, often blending a single oud note with a whisper of spice or a muted floral heart. He builds his formulas layer by layer, allowing each ingredient to settle before adding the next, a method that yields clarity and longevity. His signatures include smoky oud, ambergris‑free musks, and bright citrus top notes that fade into a dry, resinous finish. He avoids synthetic shortcuts, preferring natural extraction techniques that preserve the material’s texture. The result feels both primal and polished, a hallmark that collectors recognize instantly.
Philosophy
What drives Ashek
Zubayer treats each bottle as a conversation between nature and the wearer. He believes that scent should reveal a moment rather than mask it, so he selects ingredients that retain their innate character. He respects the provenance of every oud slab, every rose absolute, and lets their origin dictate the composition’s structure. Sustainability guides his sourcing; he works directly with growers who practice ethical harvesting. For him, perfume is a tactile memory, a way to anchor fleeting emotions in a lasting trace.
The houses

