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    Master Perfumer

    Sophie Chabaud

    Sophie Chabaud grew up surrounded by the Marseille soap-making traditions that eventually shaped Chabaud Maison de Parfum, founded in her native Montpellier in 2002. Her formal training at Ecole Supérieure du Parfum equipped her with rigorous technique before she took a significant step in 2013 by joining l'Osmothèque, the prestigious perfume archive founded by Jean-Pierre Ouellon, an honor reserved for perfumers whose work merits preservation. Teaching future generations of perfumers at her alma mater while building her own creative practice, she balanced education with creation until 2017, when she stepped into full independence. This move marked her arrival as a perfumer building on family heritage while claiming her own territory in the French fragrance landscape.

    Active since 20131 house4 creations
    See notable work
    SC
    Output
    4
    Fragrances composed
    Acclaim
    3.9
    Average rating
    across the catalogue
    Career
    2013
    First composition

    The signature

    How Sophie composes

    Sophie Chabaud gravitates toward lactonic and gourmand accords, finding beauty in cream, milk, and almond notes that evoke comfort without cloying sweetness. Heliotrope appears frequently in her palette, lending its distinctive cherry-almond warmth. White musks and sun-warmed florals complete her signature aesthetic, which balances immediacy with softness. Her formulations often read as both edible and floral, occupying that delicious middle ground where dessert meets garden. She constructs fragrances with notable transparency, layering creamy textures rather than dense concentrations.

    Philosophy

    What drives Sophie

    Sophie Chabaud approaches perfumery as an act of memory preservation, crafting scents that capture fleeting sensory moments before they dissolve. She believes fragrance should function as a sensory anchor, a way to hold onto experiences that might otherwise slip away. Her work carries a conversational intimacy, inviting wearers into a private world rather than commanding attention from across a room. She favors transparency over projection, discovering that restraint often creates stronger emotional resonance.

    The houses

    Maisons Sophie composes for

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