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    Master Perfumer

    Alina Gliwinska

    Alina Gliwinska climbed every rung of Lush's creative ladder before she ever composed a single fragrance. She started as a compounder, measuring and mixing raw materials with precision. Then she moved into quality control, developing a sharp eye for what makes a formula sing. Those years gave her an intimacy with materials that most perfumers only acquire through formal training. Today, she stands among a rare breed of women reshaping an industry still dominated by men. Alongside her colleague Emma, Gliwinska has shaped some of Lush's most beloved scents, bringing an outsider's stubbornness and an insider's deep knowledge to every bottle. She studied the emotional resonance between people and sensory experiences, and she channels that curiosity into work that feels personal rather than commercial.

    1 house2 creations
    See notable work
    AG
    Output
    2
    Fragrances composed
    Acclaim
    3.6
    Average rating
    across the catalogue

    The hits

    Notable creations

    The Bee's Knees by Lush
    Lush
    The Bee's Knees
    3.6
    Compare prices
    Coming soonAlina by Lush
    Lush
    Alina
    3.6
    Coming soon

    The signature

    How Alina composes

    Lush fragrances are known for their boldness, their refusal to play it safe, and Gliwinska follows that lead without apology. She gravitates toward natural materials and unexpected combinations that challenge what a fragrance can do. Her signatures lean into rich florals, tactile woods, and aromatic herbs that feel immediate and alive. She favors clarity over complexity, building scents that announce themselves clearly and then unfold with depth. The results carry Lush's signature quirkiness while maintaining a sophistication that rewards attention.

    Philosophy

    What drives Alina

    Gliwinska believes scent moves people before it ever registers as a conscious thought. She designs with that invisible response in mind, asking how a fragrance might carry memory or spark connection. Her approach is organized and intentional, grounded in a team-first mindset that sees perfumery as collaborative craft rather than solitary genius. She speaks openly about the emotional bond between people and textures, colors, and scents, treating fragrance as a form of storytelling that happens beneath the surface of language. Her work prioritizes feeling over convention.

    The houses

    Maisons Alina composes for