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    Master Perfumer

    Fabrizio Tagliacarne

    Fabrizio Tagliacarne began his career crafting one‑of‑a‑kind jewelry, a discipline that taught him to balance precision with artistic flair. In 2009 he turned that sensibility toward scent, founding Omnia Profumi in Milan. The move felt natural; he had spent years collecting rare essences and studying their chemistry in private workshops. Early on he partnered with local artisans, testing raw materials in a modest lab behind his studio. By 2014 his first boutique release attracted attention for its unapologetic character, and the brand earned a place among Italy’s most talked‑about independent houses. Today he runs a small team of chemists and designers, guiding each project from concept to bottle with the same meticulous eye that once shaped precious metal.

    Active since 20092 houses3 creations
    See notable work
    FT
    Output
    3
    Fragrances composed
    Acclaim
    4.1
    Average rating
    across the catalogue
    Career
    2009
    First composition

    The signature

    How Fabrizio composes

    His signature technique layers a bright top note with a dense, mineral heart, then grounds the piece with a smoky base. He favors natural absolutes such as labdanum, ambergris, and Tuscan cedar, pairing them with unexpected accents like smoked tea or leather tannins. In the lab he works hands‑on, measuring each drop and adjusting the blend until the scent feels balanced like a perfectly cut gem. The result is a line of perfumes that feel both refined and raw, each bearing a distinct, recognizable DNA.

    Philosophy

    What drives Fabrizio

    Fabrizio believes scent should echo the tactile world he knows best. He treats a perfume like a piece of jewelry, arranging notes as if setting stones in a ring. His work draws on memory, texture, and the contrast between light and shadow. He avoids trends, preferring instead to let an ingredient’s innate personality dictate the composition. For him, a fragrance is a conversation between the wearer and the material, a moment of honest self‑expression that does not need to explain itself.

    The houses

    Maisons Fabrizio composes for