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    Master Perfumer

    Claudette Belnavis

    Claudette Belnavis was born in January 1962 in Grasse, the historic perfume valley that shaped her childhood. Her father and grandfather worked as perfumers, so the scent of fresh citrus, pine resin and aged leather filled family evenings. After earning a biology degree at the University of Montclair in 1981, she entered the fragrance industry as an assistant at a small lab. Within a few years she joined Takasago’s New Jersey studio, where she rose to senior perfumer. At Takasago she helped craft scents for global names such as Jennifer Lopez, bebe, Guess and Shiseido. Live Luxe (2006) marked her first high‑profile launch and earned her a spot among the most trusted noses in fine fragrance. Today she balances laboratory rigor with the imagination she credits as the engine of her work.

    Active since 19853 houses3 creations
    See notable work
    CB
    Output
    3
    Fragrances composed
    Acclaim
    4.0
    Average rating
    across the catalogue
    Career
    1985
    First composition

    The signature

    How Claudette composes

    In the studio Belnavis favors bright fruit accords, crisp florals and warm amber woods. She layers natural extracts such as bergamot, peach and pink freesia with synthetic enhancers that extend longevity without masking authenticity. Vanilla, tonka bean and sandalwood appear frequently in her bases, providing a comforting depth that balances her lively openings. She structures each perfume around a clear three‑part arc, allowing the scent to evolve naturally on skin. Her work often features a clean, modern edge that appeals to both luxury houses and everyday wearers.

    Philosophy

    What drives Claudette

    Belnavis treats each formula as a conversation between memory and chemistry. Her biology background teaches her to respect molecular behavior, while her love of art pushes her to translate feelings into scent. She believes that imagination must anchor every decision; a top note should spark curiosity, a heart note should tell a story, and a base should linger like a quiet after‑thought. She avoids trends that chase novelty for its own sake, preferring instead to let the character of an ingredient dictate the direction of the composition.

    The houses

    Maisons Claudette composes for