The Story
Why it exists.
Mark Buxton approached The Virgins with a specific memory in mind: the electric uncertainty of a first love, the way everything feels heightened and slightly unreal. Working with Moth and Rabbit in Berlin in 2014, he sought to translate not just the romance but its texture, the way young affection carries both innocence and an almost dangerous openness. The fragrance emerged as a study in powdered petals and warm resin, capturing the sensation of leaning close to someone and catching their scent on your own skin.
If this were a song
Community picks
Dreams
Fleetwood Mac
The Beginning
Mark Buxton approached The Virgins with a specific memory in mind: the electric uncertainty of a first love, the way everything feels heightened and slightly unreal. Working with Moth and Rabbit in Berlin in 2014, he sought to translate not just the romance but its texture, the way young affection carries both innocence and an almost dangerous openness. The fragrance emerged as a study in powdered petals and warm resin, capturing the sensation of leaning close to someone and catching their scent on your own skin.
The absence of a traditional opening note was a deliberate choice by Buxton. In his view, the moment of falling in love has no introduction, no build-up. It simply happens. By beginning directly in the heart, The Virgins refuses to ease the wearer into its world, demanding immediate immersion instead. The aldehydes serve as the emotional trigger, the spark of attraction. The florals represent the subject of affection, layered and complex. The tonka and benzoin embody the warmth that builds when two people are near, when the space between them grows smaller and more charged. Each material was chosen not for its individual beauty but for its role in telling this specific, very short story.
The Evolution
The scent opens without preamble into its aldehydic heart, where the aldehydes act as a time machine, immediately placing the wearer in a moment of raw feeling. Violet and iris lead the charge, powdery and immediate, followed closely by rose petals and geranium which add a green, slightly thorny realism. Lily of the valley brings its signature sweetness while tonka bean and siam benzoin create a warm, enveloping base that makes the florals feel grounded rather than ephemeral. The trajectory moves from aldehydic brilliance to powdery depth, never truly departing from the floral heart but deepening its warmth over time.
Cultural Impact
Since its 2014 debut, The Virgins has become a reference point for modern powdery florals, often mentioned alongside Diptyque’s Fleur de Peau as a contemporary take on violet‑laden innocence. Wearers cite its ability to evoke a quiet, cinematic mood, making it a favorite for art‑house evenings and Intimate gatherings. Its balanced blend of aldehydes and warm woods has secured a niche following among those who appreciate scent as storytelling.
The House
Germany · Est. 2016
Moth and Rabbit creates contemporary niche fragrances that read like short films. Founded in Berlin in 2016 by Elke Filpes and Christian Choi, the house treats scent as a narrative medium, turning cinematic moments into olfactory stories. Each bottle invites the wearer to step into a scene, whether it is the restless energy of a teenage romance or the quiet tension of a midnight shoreline. The brand balances experimental composition with a clear, minimalist aesthetic, making every launch feel like a fresh script waiting to be performed on the skin.
If this were a song
Community picks
The fragrance feels like a soft-focus scene at dusk, with powdery violet whispers and a warm amber glow; the primary track captures that gentle cinematic mood.
Dreams
Fleetwood Mac























