Ömer Ipekçi
Ömer İpekçi trained as a communication designer and worked as an illustrator before discovering that his creative ambitions couldn't be contained by a single medium. In 2013, he began teaching himself the art of perfumery in Istanbul, driven by a desire to translate his visual sensibilities into scent. For years, he operated quietly, building a devoted following among those who knew where to look. In 2018, he stepped out of the shadows and formalized his work under the name Pekji, a Turkish word that speaks to craft and artistic independence. The brand quickly attracted international attention for its uncompromising character and its creator's willingness to pursue ideas that defy convention. Ipekçi has shown his work at industry events including Pitti Fragranze, where his singular vision earned recognition from collectors and critics alike.
The hits
Notable creations
The signature
How Ömer composes
Ipekçi's work tends toward boldness and unexpected combinations. Reviews of his fragrances describe compositions that are not for the faint-hearted—rich, complex, and architecturally ambitious. He works with materials that push boundaries, building perfumes that demand attention rather than recede into the background. His visual artist's sensibility shows in how he structures scent narratives, treating each fragrance as a canvas with depth and texture. The consensus among those who follow his work is clear: these are perfumes that reward patience and punish impulse buying.
Philosophy
What drives Ömer
Ipekçi approaches fragrance as a form of visual art. His background in illustration shapes how he constructs a perfume—considering it as a composition of layered elements that create an overall impression. He resists the predictable, preferring to create scents that spark conversation and provoke response. The self-taught aspect of his practice matters deeply; he relies on his own instincts rather than received wisdom. For Ipekçi, perfume is a medium for expression, a way of sharing a perspective that refuses to follow the crowd.
The houses
Maisons Ömer composes for
In the same league