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    Master Perfumer

    Meredith Smith

    Meredith Smith came to fragrance sideways, by way of pixels and typography. A Seattle-based graphic designer and web developer, she stumbled into perfumery in 2005 when friends pulled her into the early online perfume community. That rabbit hole became a second career. She spent years studying composition while keeping her design day job on Capitol Hill, slowly trading code for accord formulas. In 2010 she founded Sweet Anthem Perfumes, a small, handcrafted indie label rooted in the Pacific Northwest. She later expanded the project, adding a second line and eventually relocating to the Bay Area. Smith has spoken at Seattle's Free the Nose event and built a devoted following for her narrative-driven approach to indie scent.

    Active since 20051 brand2 creations
    See notable work
    MS
    Output
    2
    Fragrances composed
    Acclaim
    4.0
    Average rating
    across the catalogue
    Career
    2005
    First composition

    The signature

    How Meredith composes

    Smith's style leans indie, intimate, and ingredient-conscious. She works with natural absolutes, essential oils, and aromachemicals with equal fluency, building compositions that feel considered rather than maximalist. Expect clear thematic concepts, character-driven naming, and blends that balance sweetness with grit. Florals appear often, but rarely without an herbal or resinous counterweight. Her work rewards patient wearing, with top notes that settle into warmer, more contemplative drydowns.

    Philosophy

    What drives Meredith

    Smith designs fragrance like she once laid out a magazine spread: with intention, narrative, and a clear point of view. Each composition tells a story, often inspired by literature, memory, or a specific emotional frequency. She believes perfume should be a collaboration between the perfumer and the wearer, never a finished statement handed down from on high. Her work prizes accessibility over intimidation, favoring compositions that reveal themselves over hours rather than hours of study.

    The houses

    Maisons Meredith composes for

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