Carla Chabert
Carla Chabert never imagined herself inheriting the family craft. She wanted to be a journalist, a documentary filmmaker, drawn to storytelling and human connection. But fragrance had been woven into her life since childhood, her father Jacques Chabert a master perfumer whose reputation shaped the industry. She eventually found her way back, apprenticing under him, learning the discipline from the inside out. That blend of journalistic curiosity and inherited expertise gave her a different eye for the work. She rose to senior perfumer at Molton Brown, where her Hotel Collection creations became standouts. The New Guard Perfume Collective brought her into a community of like-minded creators, pushing her further. She built a portfolio of eleven fragrances marked by clarity and presence, never chasing trends but trusting her own instincts about what a scent should communicate.
The hits
Notable creations
The signature
How Carla composes
Carla gravitates toward green and aromatic materials. Geranium, violet leaf, and cypress appear frequently in her work. She favors ingredients with clarity and definition, building compositions that feel precise rather than diffuse. She uses modern structural techniques alongside natural materials, often pairing crispness with warmth to create tension and interest. Her signature reads as fresh, assertive, and grounded. Whether she works with spices like pink pepper or marine elements like sea fennel, she keeps the palette clean and purposeful.
Philosophy
What drives Carla
Carla approaches each formula as a conversation between material and wearer. She is not interested in creating perfume that simply smells pleasant. She wants it to move something, to trigger memory or aspiration. That commitment to meaning over novelty guides every decision she makes. She speaks about individuality often, resisting the pressure to conform to what the market expects. Her work reflects a belief that fragrance can be personal and specific rather than universal and safe. The balance between what she wants to say and what the wearer needs to experience drives her process.
The houses
Maisons Carla composes for
In the same league