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    Master Perfumer

    Susan D. Owens

    Susan D. Owens never set out to become a perfumer. She trained as a nurse, spent time modeling in Hollywood, and then, in 1989, created a fragrance for herself. That scent, Child, became something she could not have predicted: a cult phenomenon that has endured for over three decades. Owens built Child Perfume from her home in Dallas, Texas, hand-pouring and packaging each bottle in her Casa Linda studio. What began as one woman's signature scent grew into a niche fragrance house with a devoted following, one whispered about in Hollywood circles and sought after by collectors who appreciate small-batch, handmade quality. Owens remains the sole creator, running the company as president while maintaining the intimate production methods she established from the start.

    Active since 19891 house1 creations
    See notable work
    SO
    Output
    1
    Fragrances composed
    Acclaim
    4.4
    Average rating
    across the catalogue
    Career
    1989
    First composition

    The signature

    How Susan composes

    Owens belongs to the floral family, but she builds her compositions with an unusual warmth. She stacks luminous florals—lilac, magnolia, jasmine, tuberose, violet, mimosa—against a creamy backdrop of vanilla and musk, anchoring everything with soft woodsy notes. Citrus brightens the top, preventing the mixture from becoming heavy. The result feels simultaneously powdery and fresh, sweet but grounded. Her style resists easy categorization, occupying the space between vintage powder and modern indie florals, appealing to those who want softness with staying power.

    Philosophy

    What drives Susan

    Owens did not set out to build a brand. She simply made a scent she wanted to wear, and the response convinced her to share it. This origin story shapes everything about how she works: no focus groups, no market research, just instinct and personal taste. She still pours and packages each bottle herself, producing roughly 50,000 units annually, a quantity that remains intimate compared to mainstream fragrance houses. The handmade approach is not a marketing angle but a necessity, born from the reality of running a one-woman operation that refuses to compromise on quality.

    The houses

    Maisons Susan composes for