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    Master Perfumer

    Stéphane Jérôme Pernodet

    Stéphane Jérôme Pernodet entered perfumery through an unexpected door. Roughly fifteen years ago, a friendship with a singular individual opened his eyes to what he describes as the "envoûtant" universe of scent. That meeting set him on a creative path he has walked with quiet determination ever since. Rather than chasing trends, Pernodet built his practice slowly, developing a signature style rooted in warmth and fruit-forward composition. His work with Maison Magistral became his primary canvas, where he could explore ideas without compromise. Those who encounter his fragrances notice a consistency of vision: round, enveloping scents that feel personal rather than performative. He does not seek the spotlight, but his loyal following suggests he has found something worth protecting in his approach.

    Active since 20091 brand1 creations
    See notable work
    SP
    Output
    1
    Fragrances composed
    Acclaim
    5.0
    Average rating
    across the catalogue
    Career
    2009
    First composition

    The signature

    How Stéphane composes

    Pernodet gravitates toward round, fruity compositions with serious longevity. His peach note has become something of a signature, appearing across multiple fragrances in different contexts. He pairs it with musks and woods to create depth without heaviness, which is why his fragrances work across seasons despite their warmth. Vanilla and coconut show up as supporting players, lending sweetness that never tips into caricature. Reviewers consistently note that his scents require restraint in application, suggesting a concentrated, well-constructed formulation rather than a diluted one. The Maison Magistral line showcases his range, from the sporty Blue Mamba to the more complex Toxic Infusion.

    Philosophy

    What drives Stéphane

    For Pernodet, fragrance operates as a form of invitation. His work on Nota Loca demonstrates this clearly, an homage to exotic escape and the seduction of distant places. He uses ingredients like açai and coconut not as gimmicks but as portals, ways of transporting the wearer. He builds perfumes that suggest stories rather than announce them. There is modesty in his ambition. He creates for the person who wants to smell good without announcing it to the room, someone who values intimacy over projection. That restraint shapes every creation he releases.

    The houses

    Maisons Stéphane composes for